[songeater]

Tools like Suno are fundamentally enabling. I'm about 40 years old and never "had the music" - not for lack of trying (music lessons at a young age)... but could never carry a tune or keep rhythm. I suppose its what being dyslexic feels like. If I were educated in a culture where music was fundamentally as important as reading or math, I suppose would have spent enough hours on it to eventually be passable... but I got frustrated, the music lessons stopped. But that doesn't mean I stopped appreciating or wanting to make music!

And then comes Suno (and OpenAI's jukebox before that), and it felt like my brain exploded... like the classic scene in a superhero movie when the power was given to me. Is my music good? No - but I spent years writing and fashioning poetry and all of a sudden can put that to music... hard to explain how awesome that feels. and i love using the tools and it's getting better and it's been fundamentally empowering. I know it's easy to say generative art is generative swill... but "learning Suno" is no different than "learning guitar".

https://open.spotify.com/album/45CY60A8GCHxBQb7DCJsIl

https://songxytr.substack.com/p/what-is-a-songxytr

[vunderba]

If you enjoy it, I'd leave it at that - that's all that matters.

It's a pretty absurd claim to say that learning Suno is no different than learning a musical instrument. My 8 year old nephew was cranking out "songs" in Suno within an hour of being introduced to it. Reminds me of when parents were super impressed that their 3-year old could use an iPad.

Generative tools (visual, auditory, etc.) can serve as powerful tools of augmentation for existing creators. For example, you've put together a song (melody/harmony) and you'd like to have AI fill out a simple percussive section to enrich everything.

However with a translation as vast as "text" -> to -> "music" in terms of medium - you can't really insert much of yourself into a brand new piece outside of the lyrics though I'd wager 99% of Suno users are too lazy to even do that themselves. I suppose you can act as a curator reviewing hundreds of generated pieces but that's a very different thing.

I always get a little confused when I hear non-musicians say that something like Suno is empowering when all they did was type in, "A Contrapuntal hurdy-gurdy fugue with a backing drum track performed by a man who swallowed too many turquoise beads doing the truffle shuffle while a choir gives each other inappropriate friendly tickles".

[visarga]

> My 8 year old nephew was cranking out "songs" in Suno within an hour of being introduced to it. Reminds me of when parents were super impressed that their 3-year old could use an iPad.

You imply "it is Prompt -> Song" but in reality it is "Prompt -> Song -> Reflection -> New Prompt -> New Song.." It is a dialogue. And in a dialogue you can get some places where neither of you could go alone.

As software developers we know that multiple people contribute to a project, inside a git repo, and if you take one's work out it does nothing useful by itself. Only when they come together they make sense. What one dev writes builds on what other devs write. It's recursive dependency.

The interaction between human and AI can take a similar path. It's not a push-button vending machine for content. It is like a story writing itself, discovering where it will end up along the way. The credit goes to the process, not any one in isolation.

[j4coh]

It’s really not. It’s like having interdimensional Spotify where you can describe any song and they will pull it up from whatever dimension made it and play it for you. It may empower you as a consumer but it does not make you a creator.

[radley]

I dunno, based on Spotify's recommendation engine, AI is absolutely sufficient to make anyone a creator ;P

Almost all naturally-generated music is derivative to one degree or another. And new tools like AI provide new ways to produce music, just like all new instruments have done in the past.

Take drum and bass. Omni Trio made a few tracks in the early 90s. It was interesting at the time, but it wasn't suddenly a genre. It only became so because other artists copied them, then copied other copies, and more and more kept doing it because they all enjoyed doing so.

Suno ain't gonna invent drum and bass, just like drum machines didn't invent house music. But drum machines did expand the kinds of music we could make, which lead to house music, drum and bass, and many other new genres. Clever artists will use AI to make something fun and new, which will eventually grow into popular genres of music, because that's how it's always been done.

[j4coh]

You can do exactly what you describe with interdimensional Spotify. People can describe all kinds of fun and interesting things that can be statistically generated for them, but they still didn’t make anything themselves unlike in your other examples of using new tools.

Japanese oldies became a trend for a while - the people who found and repopularised the music dont get to say they created it and how it’s so awesome to have mastered the musical instrument of describing or searching for things. Well, of course they can, but forgive me if I don’t buy it.

Maybe when there is actual AGI then the AI will get the creative credit, but that’s not what we have and I still wouldn’t transfer the creative credit to the person who asked the AGI to write a song.

[radley]

> Maybe when there is actual AGI then the AI will get the creative credit, but that’s not what we have and I still wouldn’t transfer the creative credit to the person who asked the AGI to write a song.

When artists made trance, the creative credit didn't go to Roland for the JP-8000 and 909, even though Roland was directly responsible for the fundamental sounds. Instead, the trance artists were revered. That's good.

> Japanese oldies became a trend for a while - the people who found and repopularised the music dont get to say they created it and how it’s so awesome

I'd bet there are modern artists who sampled that music and edited it into very-common rhythm patterns, resulting in a few hit songs (i.e. The Manual by The KLF).

[codedokode]

> Take drum and bass. Omni Trio made a few tracks in the early 90s. It was interesting at the time, but it wasn't suddenly a genre. It only became so because other artists copied them, then copied other copies, and more and more kept doing it because they all enjoyed doing so.

Musicians not just copy but everyone adds something new; it's like programmers taking some existing algorithm (like sorting) and improving it. The question is, can Suno user add something new to the drum-and-bass pattern? Or they can just copy? Also as it uses a text prompt, I cannot imagine how do you even edit anything? "Make note number 3 longer by a half"? It must be a pain to edit the melody this way.

[radley]

> Musicians not just copy but everyone adds something new

Not everyone. I've followed electronic music for decades, and even in a paid-music store like Beatport, most artist reproduce what they've heard, and are often just a pale imitation because they have no idea of how to make something better. That's the fundamental struggle of most creatives, regardless of tool or instrument.

I haven't tried Suno, but I imagine it's doing something similar to modern software: start with a pre-made music kit and hit the "Randomize" button for the sequencer & arpeggiator. It just happens to be an "infinite" bundle kit.

[bobxmax]

And so sampling, dj'ing, these aren't skills? This isn't music?

[codedokode]

Sampling is not just cutting a fragment from a song and calling it a day. Usually (if you look at Prodigy's tracks for example) it includes transformation so that the result doesn't sound much like the original. For example, you can sample a single note and make a melody from it. Or turn a soft violin note into a monster's roar.

As for DJ'ing I would say it is pretty limited form of art and it requires lot of skill to create something new this way.

[bobxmax]

Yes, that's what people are doing with AI music as well. Acting like there's some obvious "line" of what constitutes meaningful transformation is silly.

[sirtaj]

I see DJing as more akin to being a skillful curator than being an artist. They are related but not equivalent.

[j4coh]

I was a trance and dnb DJ, I definitely never claimed I was writing the songs I played and I think it would have been dishonest to do so.

[jewelry]

Well I made songs with my lyrics that brings tears and memories to my audience. Don’t know what other creator things you are talking about, but this to me is creating.

[j4coh]

Well, at least you asked a computer over a series of requests to statistically generate a work based on it having previously ingested lots of works by actual creators and your audience liked it, and I won't take that from you.

[poulpy123]

clicking on a button until you like what you hear is not "making music". I have nothing against these tools, but the hubris of the people using them is insane

[visarga]

What button? Again with the vending machine idea. No, it's language prompting, language has unbounded semantic space. It's not one choice out of 20, it's one choice out of countless possibilities.

I give my idea to the model, the model gives me new ideas, I iterate. After enough rounds I get some place where I would never have gotten on my own, or the model gotten there without me.

I am not the sole creator, neither is the model, credit belongs to the Process.

[codedokode]

> language has unbounded semantic space

So if I have a melody in my head, how do I make AI render it using language? Even simpler, if I can beatbox a beat (like "pts-ts-ks-ts"), how do I describe it using language? I don't feel like I can make anything useful by prompting.

[GenerocUsername]

You record yourself whistling it and out it in as an input.

I've been recording myself on guitar and using suno to turn it into professional quality recordings with full backing band.

And I'm not trying to sell it, I just like hearing the ideas in my head turned into fully fleshed music of higher quality than I could produce with 100x more time to invest into it

[httpsoverdns]

I just tried it out because of the discussions on this thread, and I got to say I land squarely on the side of this is neat, but it is not artistry. Every little thing I generated sounded like things I've heard before. I was trying hard to get it to create something unique, using obscure language or ideas. It didn't even get close to something interesting in my opinion, every single output was like if you combined every top 40 song ever made and then only distilled out the parts relevant to certain keywords in a prompt.

These tools will probably be great for making music for commercials. But if you want to make something interesting, unique, or experimental, I don't think these are quite suited for it.

It seems to be a very similar limitation to text-based llms. They are great at synthesizing the most likely response to your input. But never very good at coming up with something unique or unlikely.

[protocolture]

Refining a request that generates music, is "making music" however you slice it.

[otabdeveloper4]

If so, then twiddling the radio knob is also "making music".

[visarga]

You probably never prompted an AI model until you got something good from it.

[protocolture]

Not really. The output of the radio knob has far less opportunity to create an original work.

[throwaway422432]

I messed around with Udio when it first cam out, and it wasn't just writing a prompt, and there's your song.

You got 30 seconds, of which there might have been a hook that was interesting. So you would crop the hook and re-generate to get another 30 seconds before or after that, and so on.

I would liken it more as being the producer stitching together the sessions a band have recorded to produce a song.

[_DeadFred_]

When I commission a painting and tell the artist what I want painted, am I in fact the artist?

[protocolture]

Depends.

This is a very old argument within artistic communities.

In cinema, authorship has resoundingly been awarded to the director. A lot of film directors go deep in many creative silos, but at its core the process is commissioning a lot of artists to do art at the same time. You dont have to be able to do those things. Famously some anime directors have just been hired off the street.

In comics things went the other way. Editors have been trying to extract credit for creative work for a long time. A lot of them have significant input in the creative process, but have no contractual basis for demanding credit for that input. It frustrates them. They can also just commission work, or they can have various levels of input in to the creative process, up to and including defining characters entirely.

Really then, in your example, theres clearly a point where you have had enough of a creative input in the creation to be part of the artistic endeavor. One judge in china ruled in favour of the artist after they proved that they had completed 20 odd revisions of the artwork, before watermarking it.

That is of course, assuming we only follow your strict, reductionist argument. Even for AI art, most generators these days take more than text input. You can mask areas, provide hand drawn precursor art and a lot of other things. And that also assumes no post processing.

Not all AI generated items will be art. But what I find offensive, is the judgement that as a class nothing touched by AI could be considered art. Mostly because I lived through "Digital Art is not Art" and "Computer Games are not Art" proponents of both got overtaken by history and rightly shamed.

[southernplaces7]

Trying to convince some tech people about how artistic creation works, and why it's more than just the right amount of "optimization" of bits for rapid results, is about as pointless as trying to make a chimpanzee understand the intricacies of Bach. The reductiveness of some of you is amusing, but also grotesque in the context of what art should mean for human experience.

[frozenseven]

There's no magical line between "tech people" and "art people". The gatekeeping here is getting desperate as hell when you're now forced to cite Bach.

[XenophileJKO]

You are really going to dislike my "code is art" opinion.

[bobxmax]

No, the hubris of people deciding they can define what music is is insane

Banging two sticks together is music. Get off your high horse.

[Applejinx]

I have claves, which are literally two sticks. I've also got a couple egg shakers, a couple tambourines.

Do you have ANY IDEA how hard these things are to play well.

I don't care if haphazard bashing of sticks with intent to make noise counts as 'music'. I do care if this whole line of discussion fundamentally equates any such bashing with, say, Jack Ashford.

I would be surprised if the name meant anything to you, as he's more obscure than he should be: the percussionist and tambourine player for the great days of Motown. Some of you folks don't know why that is special.

[visarga]

Maybe you need to refresh the context - 99.99% of AI generated music, images or text is seen/heard only Once, by the AI user. It's a private affair. The rest of the world are not invited.

If I write a song about my kid and cat it's funny for me and my wife. I don't expect anyone else to hear or like it. It has value to me because I set the topic. It doesn't even need to be perfect musically to be fun for a few minutes.

[bobxmax]

You seem to be the one who doesn't understand how special it is if you think good music is so simple that AI can zero shot it.

People are mixing and matching these songs and layering their own vocals etc to create novel music. This is barely different from sampling or papier mache or making collages.

People made the same reductionist arguments you're making about electronic music in the early days. Or digital art.

[survirtual]

Dumping money into a company until desired results is not "building a company". I have nothing against capital, but the hubris of the people investing is insane. /s

Look, sarcasm aside, for you and the many people who agree with you, I would encourage opening your minds a bit. There was a time where even eating food was an intense struggle of intellect, skill, and patience. Now you walk into a building and grab anything you desire in exchange for money.

You can model this as a sort of "manifestation delta." The delta time & effort for acquiring food was once large, now it is small.

This was once true for nearly everything. Many things are now much much easier.

I know it is difficult to cope with, because many held a false belief that the arts were some kind of untouchable holy grail of pure humanness, never to be remotely approached by technology. But here we are, it didn't actually take much to make even that easier. The idea that this was somehow "the thing" that so many pegged their souls to, I would actually call THAT hubris.

Turns out, everyone needs to dig a bit deeper to learn who we really are.

This generative AI stuff is just another phase of a long line of evolution via technology for humanity. It means that more people can get what they want easier. They can go from thought to manifestation faster. This is a good thing.

The artists will still make art, just like blacksmiths still exist, or bow hunters still exist, or all the myriad of "old ways" still exist. They just won't be needed. They will be wanted, but they won't be needed.

The less middlemen to creation, the better. And when someone desires a thing created, and they put in the money, compute time, and prompting to thusly do so, then they ARE the creator. Without them, the manifestation would stay in a realm of unrealized dreams. The act itself of shifting idea to reality is the act of creation. It doesn't matter how easy it is or becomes.

Your struggle to create is irrelevant to the energy of creation.

[j4coh]

It doesn’t even have to be art. If someone told me they were a chef and cooked some food but in reality had ordered it I’d think they were a bit of a moron for equating these things or thinking that by giving someone money or a request for something they were a creator, not a consumer.

It may be nice for society that ordering food is possible, but it doesn’t make one a chef to have done so.

[survirtual]

In ordering a meal from someone else who makes it, I think that the relationship is rather well defined. One person is asking another person to use their skills to make a meal.

With AI, there is a vision and there is a tool executing it. This has a recursive loop involving articulation, refinement, repetition. It is one person using a tool to get a result. At a minimum, it is characteristically different than your comparison, no?

To add, my original statement was concerning going into a grocery store and buying ingredients. That was once a much more difficult process.

As an aside it reminds me of a food cart I would go to regularly in Portland. Sometimes the chefs would go mushroom foraging and cook a lunch using those fresh mushrooms. It was divine. If we ever reach a time when I can send a robot out to forage for mushrooms and actually survive the meal, I would celebrate that occasion, because it would mean we all made it through some troubling times.

[samdafi]

I enjoy this take. Funding something is not the same as creating it. The Medicis were not artists, Michelangelo, Botticelli, Raphael, etc were.

You might not be a creator, but you could make an argument for being an executive producer.

But then, if working with an artist is reduced to talking at a computer, people seem to forget that whatever output they get is equally obtainable to everyone and therefore immediately uninteresting, unless the art is engaging the audience only in what could already be described using language, rather than the medium itself. In other words, you might ask for something different, but that ask is all you are expressing, nothing is expressed through the medium, which is the job of the artist you have replaced. It is simply generated to literally match the words. Want to stand out? Well, looks like you’ll have to find somebody to put in the work…

That being said, you can always construct from parts. Building a set of sounds from suno asks and using them like samples doesn’t seem that different from crate digging, and I’d never say Madlib isn’t an artist.

[visarga]

Assuming that 1. food is free and instant to get, and 2. there are infinite possibilities for food - then yes, if you ordered such a food from an infinite catalog you would get the credit.

But if you ordered 100 dishes iterating between designing your order, tasting, refining your order, and so on - maybe you even discover something new that nobody has realized before.

The gen-AI process is a loop, not a prompt->output one step process.

[therealpygon]

I disagree with the characterization as “absurd” to equate AI to an instrument. As you just said, it is a powerful tool. I would equate basic Suno prompting to a beginner on an instrument, as instruments are tools like anything else. Just because you get music out, it doesn’t mean it is actually “good” any more than if I smash random keys on a piano.

Controlling that flow of generation, re-prompting, adjusting, splicing, etc. to create a unique song that expresses your intention is significantly more work and requires significantly more creativity. The more you understand this “instrument”, the more accurate and efficient you become.

What you’re comparatively suggesting is that if a producer were to grab samples off Splice, slice them and dice them to rearrange them and make a unique song, that they didn’t “actually” make music. That seems like it would be a more absurd position than suggesting AI could be viewed as an instrument.

Tools like Suno make people feel like “their own music” is good and they have accomplished something because they elevate the floor of being bad at a tool (like all technological improvements do). They feel like they have been able to express their creativity and are proud, like a kid showing off a doodle. They share it with their friends, who will listen to it exactly one time in most cases and likely tell them it is “really good” and they “really like it” before never listening again.

That type of AI use is akin to a coloring book, but certainly doesn’t make for “good” music. When a kid shows off their badly colored efforts proudly, should we yell at them they aren’t doing “real art”, that their effort was meaningless, and that they should stop acting proud of such crap until they go to art school and do it “properly”?

[schwartzworld]

> learning suno is no different than learning guitar

It most definitely is different and you’ve proven it with your own post. Guitar takes a long time to get to a place where you can produce the sounds you hear in your head. Suno gives you instant gratification.

Look, if it gives you pleasure to make Suno music then you should do it, but if you think having an ai steal a melody and add it to your songs counts is the same as creating something, you’re kiddo by yourself. At best you are a lyricist relying on a robocomposer to do the hard part. You could have achieved the same thing years ago by collaborating with a musician like Bernie Taupin did with Elton John.

[ChrisMarshallNY]

I agree with this.

There are drawbacks to being a skilled (trained/practiced) musician. You specialize in one instrument, and tend to have your creativity guided by its strengths/weaknesses.

I think that soon, some very accomplished musicians will learn to leverage tools like Suno, but they aren't in the majority yet. We're still in the "vibe-coding" phase of AI music generation.

We saw this happen with CG. When it started, engineers did most of the creating, and we got less-than-stellar results[0].

Then, CG became its own community and vocation, and true artists started to dominate.

Some of the CG art that I see nowadays, is every bit as impressive as the Great Masters.

We'll see that, when AI music generation comes into its own. It's not there, yet.

[0] https://www.youtube.com/watch?v=wTP2RUD_cL0

[otabdeveloper4]

> will learn to leverage tools like Suno

Suno isn't a tool. Tools are characterized by precision and a steep learning curve, and "AI" is nothing like.

[southernplaces7]

>Some of the CG art that I see nowadays, is every bit as impressive as the Great Masters.

Really? Except the minor part in which a great master spent months to years creating one of his works, instead of a literally mindless digital system putting it together (in digital, no pigments here) instantly.

The technology is impressive, sure, but I see nothing artistically impressive about it, or emotionally satisfying about the utter lack of world and life of creation it lacks.

[ChrisMarshallNY]

This is not something I feel like arguing about. We’ll never agree.

I’m an artist (the old-fashioned kind).

That’s where I come from, so my viewpoint is colored by my own experience and training.

[southernplaces7]

If you're an actual artist, who's taken the time to paint and learn its intricacies, yet you're still just as impressed by an automated CG rendering of a work in Old Master style vs. one really done by a dedicated human hand, then you either hate the thing you learned because something about it frustrated you, or you have no clue about forming qualitative measurements of skill.

Also, "old-fashioned"? This to imply that someone rendering painterly visuals in seconds with AI is some new kind of artist? If so, then no, what they do isn't art to begin with. That at least requires an act of effortful creation.

[ChrisMarshallNY]

It might be enlightening to find out a bit about the process of creating CGI; especially 3D scenes. Many works can definitely take over a year.

I spent some time, making CG art, and found it to be very difficult; but that was also back before some of the new tools were available. Apps like Procreate, with Apple Pencil and iPad Pro, are game-changers. They don't remove the need for a trained artist, though.

But really, some of the very best stuff, comes quickly, from skilled hands. Van Gogh used to spit out paintings at a furious pace (and barely made enough to live on. Their value didn't really show, until long after his death).

[codedokode]

> Guitar takes a long time to get to a place where you can produce the sounds you hear in your head. Suno gives you instant gratification.

Wrong. It takes extremely long before you can make the sounds in your head fit into the scale and recognize them, however with Suno it is impossible.

I would compare Suno to a musician-for-hire. You describe what you want, some time later he sends you the recording, you write clarifications, and get second revision, and so on. Suno is the same musician, except much faster, cheaper and with poor vocal skills. Everything you can do with Suno today, you could make before, albeit at much higher price.

[bobxmax]

> having an ai steal a melody and add it

The fact people still think this is how these models work is astonishing

Even if that were true, sampling is an artform and is behind one of the most popular and succesful genres today (hip hop). So is DJ'ing or is that also not a skill?

The same puritanism that claimed jazz wasn't music, then rap wasn't music, then EDM wasn't music, blah blah

Gatekeepers of what is and isn't art always end up wrong and crotchety on the other side. It's lame and played out.

[schwartzworld]

I actually make a lot of sample based music, and it’s as much an art as you make it. Downloading a couple of loops from splice and layering them is lame, actually chopping and repurposing samples is not.

I never said Suno wasn’t “art”. The opposite is true. If you want to put your name on something that took no effort or skill and call it art, more power to you. You could do the same in other areas, and lame, low effort “art” proceeds AI by millennia. You are as welcome as anybody to call yourself a creator, however lame that effort may be.

But man the chutzpah of comparing that low effort drivel with people pushing genre boundaries.

[Aldipower]

If you sample you have to credit the creator of the original samples properly. It is astonishing that you do not know that.

[bobxmax]

What the hell does that have to do with the supposed artistry of it?

Sure, make the models credit the original artists, who cares. That doesn't change if it's an art that should be respected or not.

[Aldipower]

If you do not credit right it is steeling not art. Suno does not credit right.

[bobxmax]

So if Suno credits the artists suddenly AI music becomes art? What weird logic.

[shooly]

> "learning Suno" is no different than "learning guitar"

What an insanely disrespectful take.

[bobxmax]

It's only disrespectful if you're a gatekeeper.

[southernplaces7]

defending the idea of complex, nuanced effort for the sake of coherent creation being a demonstration of skill is gatekeeping?

I'd love to see programmers reactions to having the measure of their work reduced in such a way as more people vibe code past all the technical nonsense.

[bobxmax]

Last I checked programming isn't judged as an art.

Your supposed judgment on skill has nothing to do with something's value as an artform

[poulpy123]

Well that's nice for you but you did absolutely nothing musically. It's like applying a filter "paint" on a picture and calling yourself painter

[jjulius]

>... but "learning Suno" is no different than "learning guitar".

No it absolutely is not.

[suyash]

The difference shows up when you perform - perform with Suno on stage and then with Guitar, you will know then.

[3036e4]

Live programming music using tools like SuperCollider is/was a (very niche) thing. Someone is on stage with a laptop and, starting from a blank screen that is typically projected for everyone to see, types in code that makes sounds (and sometimes visual effects). A lot of it involves procedurally generated sounds using simple random generators. Live prompting as part of such shows would not seem entirely out of place and someone might figure out how to make that work as a performance?

[whilenot-dev]

SuperCollider enthusiast here, I think you missed the "is no different than" part. Working with SuperCollider is very different from playing any instrument live, and I doubt that'll change.

Where playing an instrument means balancing the handling of tempo, rhythm and notes while mastering your human limitations, a tool like SuperCollider lets you just define these bits as reactive variables. The focus in SuperCollider is on audio synthesis and algorithmic composition, that's closer to dynamically stringing a guitar in unique rule-based ways - mastering that means bridging music- and signal-processing theories while balancing your processing resources. Random generators in audio synthesis are mostly used to bring in some human depth to it.

[jonesetc]

Guitar, make it sound more like someone else's hard work.

[ares623]

The year is 2027. A 16 year old at a house party pulls out his laptop and asks his friends to gather round. He starts typing “a song about a wonderful wall” and completely original music starts playing. A girl in the corner, hearing the heartfelt melody, starts to fall for the boy.

[keithba]

I made an image, then a video of this…it felt cute

https://limewire.com/d/ShyFU#hGrEzdZegs

[ab5tract]

TIL that the lime still wires

[vunderba]

"Robot experience this tragic irony for me!"

https://www.youtube.com/watch?v=QKZNOnLUBmQ

[codedokode]

I think "learning guitar" is different from "learning Suno" because with guitar you have control over what you play. I also love music, and making music, and have no natural musical talent, but I see no interest in generating a song without me deciding every aspect and choosing every note. It's like taking the most interesting and creative part from me.

[handbanana_]

Personally for me I wouldn't be able to reconcile the fact that these generated stems are basically the same as generated AI images--built from the digital bits of existing tracks/music/recording that someone else spent the time and hard work making and then sharing only to have it unexpectedly hoovered up by these corporations as part of their giant data training set.

[rldjbpin]

> I know it's easy to say generative art is generative swill... but "learning Suno" is no different than "learning guitar".

all the discourse with this remark is quite fascinating as an observer. similar remarks used to be said about electronic music or just use of conventional daw when they were new.

to those who have dedicated years into their craft: one must not mix self-expression from the mechanics of getting there. it is very respectable to dedicate one's life to the analogue way. but if something lets you get there in a different way, allow it.

[jkulubya]

I’ll agree that you+ai is creating a pleasant sequence of sounds ie music. And I don’t think anyone has the right to say (within reason) what is music or isn’t.

But we might need new vocabulary to differentiate that from the act of learning & using different layers of musical theory + physical ability on an instrument (including tools like supercollider) + your lived experience as a human to produce music.

Maybe some day soon all the songs on the radio and Spotify will be ai generated and hyper personalized and we’ll happily dance to it, but I’ll bet my last dollar that as long as humans exist, they’ll continue grinding away (manually?) at whatever musical instrument of the time.

[npinsker]

I see it as like having the answer key to every homework assignment for a course. It's easy to convince yourself that it doesn't hurt learning -- but there's probably a reason the answers aren't given to you. The struggle, the experience of "being stuck", the ability to understand why things don't work -- may be necessary precursors to true understanding. We're seeing pretty discouraging results from people who are learning to "vibe code" without an understanding of how they would write the code themselves.

You may wish that learning Suno is no different than learning guitar, but I think the effects of AI may be a bit pernicious, and lead to a stagnation that takes a while to truly be felt. Nobody can say one way or the other yet. That said, I'm happy you can make music that you enjoy, and that Suno enables you to do it. Such tools are at their best when they're helping people like you.

[j4coh]

I guess it’s similar to learning by watching masters on YouTube - I’m convinced that passively watching them causes the illusion in the viewer that they are also capable of the same, but if they were to actually try they miss all the little details and experience that makes their performance possible. Watching a chess GM play, for example, can make you feel like you understand what’s happening but if you don’t actually learn and get experience you’re still going to get beat all the time by people, even beginners, who did. But as long as you never test this, you get to live with the self-satisfaction of having “mastered” something yourself.

Of course, nothing wrong with watching and appreciating a master at work. It’s just when this is sold as the illusion of education passively absorbed through a screen that I think it can be harmful. Or at least a waste of time.

[lloeki]

It gets very real very quickly with skateboarding. You can watch all the YouTube and Instagram you want about how to do an Ollie or a kickflip in 30s; now go out and try.

The learning is in the failing; the satisfaction of landing it is in the journey that put you there.

[JodieBenitez]

> but "learning Suno" is no different than "learning guitar".

You downplay the training it takes to actually use your body to output the notes. With the guitar your fingers have to "learn" as much as your brain on a scale that no prompt input will ever match. And I say that as a musician that use mostly sequencers to compose.

[songeater]

Love the passionate replies! I think I especially agree with this comment:

>> think that soon, some very accomplished musicians will learn to leverage tools like Suno, but they aren't in the majority yet. We're still in the "vibe-coding" phase of AI music generation. We saw this happen with CG. When it started, engineers did most of the creating, and we got less-than-stellar results[0]. Then, CG became its own community and vocation, and true artists started to dominate.

Hey its likely not going to be me, but let's be real - any user of this technology who has gone beyond the "type in a prompt and look i got a silly song about poop" stage will probably agree - someone's going to produce some bangers using this tech. It's inevitable and if you don't think so it's likely you haven't done anything more than "low-effort" work on these platforms. "Low effort" work - which a majority of AI swill us - is going to suck, whether its AI or not.

And while I have the forum, I do want to make another point. I pay more for a month for Suno than Spotify ($25 vs $9). Suno/Udio etc: do what you need to to make sure the artists and catalogues are getting compensated... as an user I would pay even more knowing that was settled.

[otabdeveloper4]

> but "learning Suno" is no different than "learning guitar"

Ehh... No.

[ukFxqnLa2sBSBf6]

I’m gonna barf

[cowboylowrez]

guys I think we're being too hard on this guy, why are we so upset that songeater is now Jimi Hendrix because of Suno? I know I'm jealous, I've been beating on my guitar for decades and I'm still pretty meh, but its because I lack the true creative genius required to type suno.com into my browser, not everyone is cut out to be a literal GUITAR GOD like songeater here. Lets give him the props he deserves for the massive investment of backbreaking labor over the past decades^w years^w weeks^w days^w hours^w halfhourmaybe it took for him to learn pseudo-guitar.

[cowboylowrez]

I apologise for this comment of mine that I am replying to, it seems like its sort of an unpopular opinion, but in the spirit of AI, please let me allow for some personal back propogation with my own low poly blob of neural networkedness and use this useful training to adjust my personal weights (known to low IQ normies as "values") to better fit in with the community here.

So, this songeater guy, what a poser eh?