[radley]

I dunno, based on Spotify's recommendation engine, AI is absolutely sufficient to make anyone a creator ;P

Almost all naturally-generated music is derivative to one degree or another. And new tools like AI provide new ways to produce music, just like all new instruments have done in the past.

Take drum and bass. Omni Trio made a few tracks in the early 90s. It was interesting at the time, but it wasn't suddenly a genre. It only became so because other artists copied them, then copied other copies, and more and more kept doing it because they all enjoyed doing so.

Suno ain't gonna invent drum and bass, just like drum machines didn't invent house music. But drum machines did expand the kinds of music we could make, which lead to house music, drum and bass, and many other new genres. Clever artists will use AI to make something fun and new, which will eventually grow into popular genres of music, because that's how it's always been done.

[j4coh]

You can do exactly what you describe with interdimensional Spotify. People can describe all kinds of fun and interesting things that can be statistically generated for them, but they still didn’t make anything themselves unlike in your other examples of using new tools.

Japanese oldies became a trend for a while - the people who found and repopularised the music dont get to say they created it and how it’s so awesome to have mastered the musical instrument of describing or searching for things. Well, of course they can, but forgive me if I don’t buy it.

Maybe when there is actual AGI then the AI will get the creative credit, but that’s not what we have and I still wouldn’t transfer the creative credit to the person who asked the AGI to write a song.

[radley]

> Maybe when there is actual AGI then the AI will get the creative credit, but that’s not what we have and I still wouldn’t transfer the creative credit to the person who asked the AGI to write a song.

When artists made trance, the creative credit didn't go to Roland for the JP-8000 and 909, even though Roland was directly responsible for the fundamental sounds. Instead, the trance artists were revered. That's good.

> Japanese oldies became a trend for a while - the people who found and repopularised the music dont get to say they created it and how it’s so awesome

I'd bet there are modern artists who sampled that music and edited it into very-common rhythm patterns, resulting in a few hit songs (i.e. The Manual by The KLF).

[codedokode]

> Take drum and bass. Omni Trio made a few tracks in the early 90s. It was interesting at the time, but it wasn't suddenly a genre. It only became so because other artists copied them, then copied other copies, and more and more kept doing it because they all enjoyed doing so.

Musicians not just copy but everyone adds something new; it's like programmers taking some existing algorithm (like sorting) and improving it. The question is, can Suno user add something new to the drum-and-bass pattern? Or they can just copy? Also as it uses a text prompt, I cannot imagine how do you even edit anything? "Make note number 3 longer by a half"? It must be a pain to edit the melody this way.

[radley]

> Musicians not just copy but everyone adds something new

Not everyone. I've followed electronic music for decades, and even in a paid-music store like Beatport, most artist reproduce what they've heard, and are often just a pale imitation because they have no idea of how to make something better. That's the fundamental struggle of most creatives, regardless of tool or instrument.

I haven't tried Suno, but I imagine it's doing something similar to modern software: start with a pre-made music kit and hit the "Randomize" button for the sequencer & arpeggiator. It just happens to be an "infinite" bundle kit.