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by mseebach
4041 days ago
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> it was claimed that House of Cards was the results of machine learning and figuring out that the majority wanted Kevin Spacey and a political drama. Now if this is the future of tv, this will lead inevitably to less diversity. If the algorithms are actually any good, they should lead to more, not less, diversity. The algorithms would be able to detect that enough people want to watch a Kung-Fu thriller set in medieval South India starring Summer Glau to be viable - the point of these things is that "big data" machine learning can process several orders of magnitude more data than a Hollywood-bubble studio executive gut feeling ever could. Formulaic mass-market blockbuster stuff is the product of humans and their gut feelings, and broad averages over the mass market is the highest abstraction they can handle. Algorithms have no such limitations. The truly niche/innovative out-of-left-field stuff exists because it was able to bypass concerns about mass-market viability - if anything, the algorithms will pick up on niche trends much quicker, bringing it to a larger audience. |
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They don't want "viable", they want blockbuster.
When a film in a series makes only half a billion it's seen as a failure and people are called in to make the next one a success.
http://uk.ign.com/articles/2015/05/19/simon-pegg-says-origin...
> “They had a script for Star Trek that wasn’t really working for them,” [Simon Pegg] told magazine Radio Times (via The Guardian). “I think the studio was worried that it might have been a little too Star Trek-y.
> “Avengers Assemble, which is a pretty nerdy, comic-book, supposedly niche thing, made $1.5bn. Star Trek: Into Darkness made half a billion, which is still brilliant. But it means that, according to the studio, there’s still $1bn worth of box office that don’t go and see Star Trek. And they want to know why.”
> He further explained “People don’t see it being a fun, brightly coloured, Saturday night entertainment like the Avengers,” adding that the solution was to “make a Western or a thriller or a heist movie, then populate that with Star Trek characters so it’s more inclusive to an audience that might be a little bit reticent.”