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I place some blame on the humanities themselves. Mediocre blatherers like Jordan Peterson (to pick just one example) have captured the hearts and minds of young people because most "real" work in the humanities is locked behind not just academic paywalls but an impenetrable wall of inward-focused jargon. Humanities work is written for other people in the humanities, not the public. It also tends to deal with subjects that are not of interest to 90%+ of the public. A huge vacuum has been created, and it's been filled with shit because it's there so something's going to fill it. P.S. For the inevitable defenders of Jordan Peterson: go read Carl Jung, Joseph Campbell, G.K. Chesterton, and CS Lewis, to name a few. Peterson is one of those people for whom I'd say "what he says that's interesting is not original, and what he says that's original is not interesting." Take away the authors he draws from and what's left is a mix of stoner-esque rambling (though apparently without the pot?) and something like an attempt at highbrow Andrew Tate. The latter is why I genuinely dislike the guy more than I would if he were just, say, a self-help quack, which he also is. |
A real question for you. How have you attempted to interact with modern humanities research? I'm married to a historian. A ton of books are published open-access (literally free) and a growing number of them consider public audiences as a target readership. Presses ask "how will this be of interest to the general public" when engaging with scholars to decide what books to publish.
I have a CS PhD. In comparison to my experience doing CS research, history research is vastly more likely to consider a non-expert audience. I cannot speak to other fields within the humanities, but this data point makes me rather skeptical of your claim.