| I guess I'll plug my hobby horse: The whole discourse of "stochastic parrots" and "do models understand" and so on is deeply unhealthy because it should be scientific questions about mechanism, and people don't have a vocabulary for discussing the range of mechanisms which might exist inside a neural network. So instead we have lots of arguments where people project meaning onto very fuzzy ideas and the argument doesn't ground out to scientific, empirical claims. Our recent paper reverse engineers the computation neural networks use to answer in a number of interesting cases (https://transformer-circuits.pub/2025/attribution-graphs/bio... ). We find computation that one might informally describe as "multi-step inference", "planning", and so on. I think it's maybe clarifying for this, because it grounds out to very specific empirical claims about mechanism (which we test by intervention experiments). Of course, one can disagree with the informal language we use. I'm happy for people to use whatever language they want! I think in an ideal world, we'd move more towards talking about concrete mechanism, and we need to develop ways to talk about these informally. There was previous discussion of our paper here: https://news.ycombinator.com/item?id=43505748 |
2) There are two aspects to a rhyming poem:
a) It is a poem, so must have a fairly high degree of thematic coherence
b) It rhymes, so must have end-of-line rhyming words
It seems that to learn to predict (hence generate) a rhyming poem, both of these requirements (theme/story continuation+rhyming) would need to be predicted ("planned") at least by the beginning of the line, since they are inter-related.
In contrast, a genre like freestyle rap may also rhyme, but flow is what matters and thematic coherence and rhyming may suffer as a result. In learning to predict (hence generate) freestyle, an LLM might therefore be expected to learn that genre-specific improv is what to expect, and that rhyming is of secondary importance, so one might expect less rhyme-based prediction ("planning") at the start of each bar (line).