|
|
|
|
|
by fc417fc802
476 days ago
|
|
> The question I don't think he could really answer was 'how do the cells know when to stop?' I'm likely missing something obvious but I'll ask anyway out of curiosity. How is this not handled by the well understood chemical gradient mechanisms covered in introductory texts on this topic? Essentially cells orient themselves within multiple overlapping chemical gradients. Those gradients are constructed iteratively, exhibiting increasingly complex spatial behavior at each iteration. |
|
I haven't thoroughly read all of Levin's papers, so I'm not sure to what extent they specifically address the issue of whether textbook models of morphogen gradients can or cannot account for these experiments. I'd guess that it is difficult to say conclusively. You might have to use one of the software packages for simulating multi-cellular development, regulatory logic, and morphogen gradients/diffusion, if you wanted to argue either "the textbook model can generate this behavior" or that the textbook model cannot.
The simulations/models that I'm familiar with are quite basic, relative to actual biology, e.g. models of drosophila eve stripes are based on a few dozen genes or less. But iiuc, our understanding of larval development and patterning of C Elegans is far behind that of drosophila (the fly embryo starts as a syncytium, unlike worms and vertebrates, which makes fly segmentation easier to follow). I haven't read about Xenopus (the frogs that Levin studies), but I'd guess that we are very far from being able to simulate all the way from embryo to facial development in the normal case, let alone the abnormal picasso and "eye on tail" tadpoles.