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by gnulinux
1067 days ago
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Copyright law is a plague on contemporary free society. I'm a composer, I work on contemporary Western classical music, and finding written music published since 1923 is a full-time job in itself. It's relatively easy (still not easy) to find extremely famous composers (e.g. Philip Glass, Gyorg Ligeti, Jennifer Higdon etc), but if you're trying to find someone lesser known, or god forbid someone unknown published by some random European music publishing house, good fucking luck. They literally won't make the publication available to you if they decide. Some works are only available for performance (i.e. if you're allowed to play this music, they "rent" the sheet to you) and no option to study the written work for other authors. It's excruciatingly difficult and holds the entire field back multiple, multiple decades. People write about ideas that were already explored and in circulation almost 4 decades ago because it's likely impossible to read their works. Let me not even begin to talk to you about finding papers (analyses of other artists' works, musicology etc) if you're not affiliated with a university. You need a fortune to keep up with the field, or be arrrg (and it's not easy to find musicology papers in SciHub compared to other fields). In this aspect we're significantly worse than how things were back in 1800s, 1900s or early 2000s. |
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One of the most striking developments in the last 20 years is that so many of those European publishers are making a lot of their study scores free to read online. Apparently they have given up trying to make money from ordinary music lovers and are OK with selling just to performers and libraries. Back when I became a huge fan of a somewhat lesser-known European avant-garde composer, I despaired that it would cost many, many thousands of euro to buy the study scores of all his pieces. Now they are right there for free on the publisher’s website.
Otherwise, piracy largely fills the gap, although many composers have some famous piece, the score of which is impossible to ever see. Boulez’s Répons and …explosante-fixe… are my usual examples of this – all the rest of his scores have circulated in pirate circles for well over a decade. Someting like Magnus Lindberg’s KRAFT is probably not easily found because its score is a meter tall and therefore difficult to scan.