[OfSanguineFire]

> god forbid someone unknown published by some random European music publishing house

One of the most striking developments in the last 20 years is that so many of those European publishers are making a lot of their study scores free to read online. Apparently they have given up trying to make money from ordinary music lovers and are OK with selling just to performers and libraries. Back when I became a huge fan of a somewhat lesser-known European avant-garde composer, I despaired that it would cost many, many thousands of euro to buy the study scores of all his pieces. Now they are right there for free on the publisher’s website.

Otherwise, piracy largely fills the gap, although many composers have some famous piece, the score of which is impossible to ever see. Boulez’s Répons and …explosante-fixe… are my usual examples of this – all the rest of his scores have circulated in pirate circles for well over a decade. Someting like Magnus Lindberg’s KRAFT is probably not easily found because its score is a meter tall and therefore difficult to scan.

[gnulinux]

Hmm I'll be honest, I always have very difficult time finding both of the options you listed. Not aware of any publishing house that share contemporary sheet music for free, nor do I have a good source for sheet music piracy. For piracy, I try the standard sources such as Library Genesis, Pirate Bay, Google "X PDF" etc... and almost never get something for niche composers in the last 10 to 20 years.

[OfSanguineFire]

Universal Edition, Edition Wilhelm Hansen (now part of Wise Music Classical, I think) and Boosey & Hawkes are examples of publishers who have put up a lot of scores by 20th century composers for free. The Finnish Music Information Centre website has many scores by Finnish composers of recent decades.

With regard to pirated scores, that mainly happened on filesharing networks like Soulseek and DC++.

> almost never get something for niche composers in the last 10 to 20 years.

Why don’t you just write to them and ask for a PDF? As you know, composers are usually happy to hear of any interest in their music, and (just like academics and their research papers) they don’t always agree with their scores being “behind a paywall” for personal use.