[nitrogen]

This seems unlikely to be possible. If you haven't captured any frequencies above 15kHz (which an average cell phone mic is unlikely to do), no amount of averaging, filtering, or combining will get them back. There will also be a considerable amount of distortion, since concerts tend to be so loud that even one's ears are distorting. Good luck separating physical distortion in the mic, limiter distortion in the analog or DSP stage, and clipping distortion at the ADC.

I think the best you could do is use the video to determine where someone was standing, and try to reconstruct some of the stereo information based on multiple recorders.

[jackpirate]

If you haven't captured any frequencies above 15kHz (which an average cell phone mic is unlikely to do), no amount of averaging, filtering, or combining will get them back.

I think this is technically not quite true. If two cell phones right next to each other are both sampling at 15kHz, in the best case you could combine their samples to get an equivalent sampling of 30 kHz. (Best case meaning phone 1 samples exactly half way between phone 2's samples.)

In practice, however, you would have to account for positioning and the fact that the phones' samples aren't perfectly offset from one another. It would require an amazing engineering feat to overcome this challenge, but I think it's within the realm of physically possible.

[allbutlost]

This is unfortunately so unlikely to as to be practically impossible (currently!).

If the microphones, ADCs etc on both phones are incapable of capturing frequencies of above e.g. 15Khz below a certain range, combining those signals definitely won't bring you any closer to the original signal. You may be able to cancel out a fair bit of noise given enough processing but you won't get back what hasn't been originally captured by either device.

That's before you get into phase problems from trying to combine two signals. A likely outcome is that the amplitude of some signals are increased whilst some are decreased due to phasing issues.

/fuzzily remembered music tech degree. May be too fuzzy though!

[ljf]

Sorry to be off topic here... but this is why I don't understand HN sometimes - the post above isn't nasty, augmentative, hurtful or 'bad' in any way, but instead of people responding to the poster they've downvoted him.

Isn't downvoting for removing bad content, not trying to silence someone you don't agree with?

Thoughts/comments?

(edit - post is no longer showing as greyed out/downvoted - but still, any comments?)

[ugh]

There will always be idiots who downvote great comments. I have on occasion been such an idiot myself (it happens). I wouldn’t let me bother by that, it usually all works out in the end. (Remember: It can take only a single person to grey out a comment.)

[b1daly]

15khz is actually is very high frequency, most adults can barely hear it. The audio from phones is probably much more band limited than that. But that's the least of the challenges. People listen to and enjoy highly band limited music all the time: laptop speakers might have a frequency response of 500hz - 4khz.

The more challenging problem is the distortion from the phones being overloaded, crowd noise, built in limiters, different sample rates and compression. It is true that phase relationships from a single sound captured by multple sources can be very problematic.

However, the further the mics are away from the source the less this a problem at least with "phaseyness." This annoying artifact is a type of comb filtering , and it's based on the fact that two mics close to a sound source can be thought of really capturing the "same" sound at slightly different times. If the mics are far apart, the sound is no longer the same: it's picking up reflections from a myriad of sources, the phase relationships within the frequency spectrum have been smeared and shifted by traveling through air. This negates a lot of phase problems. The more likely problem is cancellation in the low frequencies which can be ameliorated with time alignment.

[femto]

Only if the two phones are under-sampling the signal.

Chances are that there is a low pass filter in front of the phone's ADC, blocking signals above the Nyquist limit from reaching the sampler. Assuming brick wall filters (ie perfect cutoff), combining the signals will reduce variance (noise) but not give any information on frequencies above the cutoff frequency of the filter.

Brick wall filters don't exist though. What you might see is a miniscule amount of signal in the filter's stop band. Combining the signal from many many phones might reduce the variable enough to give useful information for frequencies a tiny bit above the cutoff frequency.

A cool project would be to gather the audio from every networked microphone in an area (mobile phones, laptops, ...) and use beam-forming techniques to reconstruct the sound pressure field as a function of position. My guess is that the system would be sensitive enough that it could do amazing things like capture conversations though walls or from long distances.

[Roritharr]

You are suggesting the Networked Cellphone Echolocation Device of Batman at the end of the Dark Knight... Cool!

[SandB0x]

In some cases you will have a good prior on the clean signal from studio recordings. Of course, "registering" a recording (or parts of a recording) to the video would be a formidable task in itself.