[allbutlost]

This is unfortunately so unlikely to as to be practically impossible (currently!).

If the microphones, ADCs etc on both phones are incapable of capturing frequencies of above e.g. 15Khz below a certain range, combining those signals definitely won't bring you any closer to the original signal. You may be able to cancel out a fair bit of noise given enough processing but you won't get back what hasn't been originally captured by either device.

That's before you get into phase problems from trying to combine two signals. A likely outcome is that the amplitude of some signals are increased whilst some are decreased due to phasing issues.

/fuzzily remembered music tech degree. May be too fuzzy though!

[ljf]

Sorry to be off topic here... but this is why I don't understand HN sometimes - the post above isn't nasty, augmentative, hurtful or 'bad' in any way, but instead of people responding to the poster they've downvoted him.

Isn't downvoting for removing bad content, not trying to silence someone you don't agree with?

Thoughts/comments?

(edit - post is no longer showing as greyed out/downvoted - but still, any comments?)

[ugh]

There will always be idiots who downvote great comments. I have on occasion been such an idiot myself (it happens). I wouldn’t let me bother by that, it usually all works out in the end. (Remember: It can take only a single person to grey out a comment.)

[b1daly]

15khz is actually is very high frequency, most adults can barely hear it. The audio from phones is probably much more band limited than that. But that's the least of the challenges. People listen to and enjoy highly band limited music all the time: laptop speakers might have a frequency response of 500hz - 4khz.

The more challenging problem is the distortion from the phones being overloaded, crowd noise, built in limiters, different sample rates and compression. It is true that phase relationships from a single sound captured by multple sources can be very problematic.

However, the further the mics are away from the source the less this a problem at least with "phaseyness." This annoying artifact is a type of comb filtering , and it's based on the fact that two mics close to a sound source can be thought of really capturing the "same" sound at slightly different times. If the mics are far apart, the sound is no longer the same: it's picking up reflections from a myriad of sources, the phase relationships within the frequency spectrum have been smeared and shifted by traveling through air. This negates a lot of phase problems. The more likely problem is cancellation in the low frequencies which can be ameliorated with time alignment.