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by usrbinbash
1604 days ago
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The point is, there is no such thing as a "2nd hand digital asset". 2nd hand exists for physical items only, because they are subject to wear&tear, they degrade, and copying them means creating something new from scratch that didn't exist before...a copy of a wardrobe is a new wardrobe that happens to look the same as another one. And if someone sells me his old wardrobe, then he no longer has it. The same isn't true for digital information. A file can be copied 10 times, 10000 times or 10E10 times, it doesn't matter...the original is not degraded in the process, and all copies are exactly the same and the same as the original. And if A sends the file to B, A can still have a copy of the file, indistinguishable from the one B now has. |
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As well as the applicability, the author raises another point which is when you're finished with your digital media, why hold onto it? Especially on the assumption you can just buy it back for what you sold it for or less.
I do wonder though whether all of this sits within a paradigm that needn't be the one that plays out.
I suppose my questions around the subject are... are we saying that a 2nd marketplace for digital media such as books, films and music shouldn't/won't exist because if it did, it would devastatingly disrupt digital capitalism? Could there be a paradigm where we can have a 2nd hand marketplace?
I'm particularly interested to observe how the digital fashion space evolves. Major fashion brands are engaging with NFTs and digital wardrobes. Which like digital art (and unlike books/films?) lend themselves well to being sold in limited runs, can be seasonal and could be useful... So I could see being a workable market for a digital 2nd hand market, outside the hyped up beanie-baby-esque investor marketplace that's dominating the nft landscape right now.