[eor]

Based on what I've seen in their engineering blogs, they've been spending a lot of time on streamlining the production and distribution process. I guess that makes sense for a production company. But I wonder if they're getting good value for what they're spending on it. It may so much less than what they're spending on producing content that nobody's paying attention.

[asdff]

Anecdotally, I've heard working with netflix on the production side is not that fun. They ask a lot of you and pay a little, and you don't have creative freedom. Maybe that's the streamlining they are referring to? We will see if this helps them or hurts them by shooing what could have been good production talent for them to HBO and other competitors in town.

[vkk8]

Streamlining production seems like a wrong goal in this game. I mean, who cares if you can efficiently churn out dozens or hundreds of new TV-shows and movies if none of them are good? Having one really good TV-show on the catalogue is worth a hundred crappy TV-shows. And if you manage to produce one good show, who cares if its' production process was extremely efficient. It's a long tail game.

[usrusr]

Being able to quickly and efficiently set up a group pitching some creative vision but lacking any experience with Netflix-sized budgets? Preferably without installing some cookie-cutter producers that make everything they touch look, feel and taste the same? That's huge if they are good at it.

I'm not saying that they are, but now that streaming seems to be basically solved (it has become a commodity) this is the quality that will likely make the winners.