[vkk8]

Streamlining production seems like a wrong goal in this game. I mean, who cares if you can efficiently churn out dozens or hundreds of new TV-shows and movies if none of them are good? Having one really good TV-show on the catalogue is worth a hundred crappy TV-shows. And if you manage to produce one good show, who cares if its' production process was extremely efficient. It's a long tail game.

[usrusr]

Being able to quickly and efficiently set up a group pitching some creative vision but lacking any experience with Netflix-sized budgets? Preferably without installing some cookie-cutter producers that make everything they touch look, feel and taste the same? That's huge if they are good at it.

I'm not saying that they are, but now that streaming seems to be basically solved (it has become a commodity) this is the quality that will likely make the winners.