Krugman is just too emotionally invested in the book, so nothing comparable to the book. If the show is not called foundation, he will probably enjoy it.
> If the show is not called foundation, he will probably enjoy it.
It wasn't about Foundation, then why call it "Foundation"?
It's like that Will Smith movie called I, Robot: why did they bother calling it that?
You can create a new sci-fi show or movie without the 'false marketing' of referencing previous source material: that's what the original Battlestar Galactica and Star Wars did in the 1970s. Or you can try to faithfully use the source material as much as possible as The Expanse show has done, and what Villeneuve has generally done with his Dune.
There are plenty of both sci-fi and fantasy works available for adaptation into shows and movies. And if (general) audiences expect action-y stuff in their sci-fi/fantasy, then pick one in which the source material is more action-y.
Don't try adapting Waiting for Godot into the next Die Hard.
I, Robot is significantly harder to adapt than Foundation. The former is like a book of little logic mysteries. The film turned the setting concept into one big murder mystery to appeal to modern audiences. It was a drastic tonal change, but preserves some of the concepts of Asimov, even including the Zeroth Law at the end.
The movie was an already written script paired with the title and some characters renamed. It was not made (the script) with the intention of adapting the book (which is a series of short stories with a common framing story). I, Robot, like World War Z, needs an anthology or serial format to be properly presented as a show or film.
Saying Krugman is too emotionally invested in the book is an understatement. This is the man who claims to have wanted to bring about psychohistory itself as the natural evolution of economics.
He may be the only neoclassical economist to admit that, but most of them have the hubris to think it. I almost suspect Asimov intended a satire: "Humanity is complicated, but fear not! I have numbers, and those allow me to completely ignore humanity!"
I don’t think it is unreasonable for someone watching an adaptation of a book to expect that the central themes of that book to be central to the adaptation, or at least not have the main themes of the adaptation be a direct contradiction to the source material.
The central themes of the original series are certainly present in the series. I think people -- including Krugman -- are occasionally missing the forest for the trees, because the show is radically restructuring and revising the story in order to make it more compelling as TV drama (at least in the eyes of the showrunners). I'm not sure I like all of the changes, but I just don't agree with critics who say that the show is missing the thematic point of the books.
> If the show is not called foundation, he will probably enjoy it
I don't think so. If it wasn't called Foundation, or if I, Robot wasn't referencing Asimov's stories, or if Brave New World was called something different, they would all be lost in the quagmire of new 'blockbuster' TV shows that all the streaming networks are pushing hard. Because they're all very formulaic, optimized things where they took inspiration from endless A/B testing online, doing everything by the book, as in, there's probably a book / guide out there on how to make a TV show.
Without the name, they are bland and anonymous shows.
Meanwhile there are plenty of shows that stand on their own - this year there was Queen's Gambit, the book on which it was based on never showed up on my radar so (anecdotally) it's not carried by having a Name / Reputation. That one has been nearly 20 years in the making, too.
> So how does the Apple TV series turn this into a visually compelling tale? It doesn’t. What it does instead is remake “Star Wars” under another name. There are indispensable heroes, mystical powers, even a Death Star. These aren’t necessarily bad things to include in a TV series, but they’re completely antithetical to the spirit of Asimov’s writing. Pretending that this series has anything to do with the “Foundation” novels is fraudulent marketing, and I’ve stopped watching.
This translates to an assessment of too emotionally invested?
Name calling and gas lighting seem to be the natural way of some people's narrative approach of discredit the person without offering counter point to the statement (or rather, not able to).
You're allowed to feel pissed at being tricked. I also almost closed the laptop when I saw Daniel. But in the end I abandoned it because the story was just not compelling, except the emperrors subplot.
It wasn't about Foundation, then why call it "Foundation"?
It's like that Will Smith movie called I, Robot: why did they bother calling it that?
You can create a new sci-fi show or movie without the 'false marketing' of referencing previous source material: that's what the original Battlestar Galactica and Star Wars did in the 1970s. Or you can try to faithfully use the source material as much as possible as The Expanse show has done, and what Villeneuve has generally done with his Dune.
There are plenty of both sci-fi and fantasy works available for adaptation into shows and movies. And if (general) audiences expect action-y stuff in their sci-fi/fantasy, then pick one in which the source material is more action-y.
Don't try adapting Waiting for Godot into the next Die Hard.