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by sharemywin 2673 days ago
can you turn on advertising in youtube? they probably already run ads you should get your cut.
1 comments

They dont allow it on copyrighted music.
Then why would someone pay money for the channel if they can’t make money off it?

The social followers and steady traffic means nothing (unless we are talking about millions of visitors a month).

There are other ways you can monetize things. Sell merch, shoutouts built into the video. Other things like that.
OK but has the OP done those things? If not he should start doing them, document the earnings and then he might have something to show potential buyers after a year.

Right now, its all a question mark and either a risk, or time waster for potential buyers.

Isn't most classical music in public domain? (Asking sincerely.)
Much of the music is, but the recordings of many specific performances are not - and specific performances are often what listeners are interested in.
I could be mistaken, but if the original recording is no longer copyrighted, how can someone copyright an individual performance? Doesn't that fall under the derivative works portion of copyright law? Thereby making it the automatic property of the property holder - which in this case would be the general public, no?
> Every Song Has Two Copyrights: The Underlying Composition and The Sound Recording. The underlying composition is the music and lyrics as they would appear on a piece of sheet music. From this copyright, infinite amount of sound recording copyrights can be created. Every time a song is recorded, whether by a new artist, in a different key, with different instrumentation, or completely remastered, a new sound recording is created and the person or company who owns that recording owns its copyright. However, even if you own the new sound recording you do not own the copyright to the underlying composition, and in fact must get permission to distribute your work.

https://tunelicensing.com/blog/post?page=licensing-101-publi...

Thanks for this. I am shocked to learn that re-recordings of previously copyrighted work are not deemed derivative works and actually receive their own separate copyright even after the original has expired.