In terms of martial arts action those movies are pale shadows of his earlier Hong Kong work.
Partially because Chan is older in those movies and is a little less physically capable.
But IMO mostly because of Hollywood's unfortunate style of directing fights and martial arts battles.
Traditional Hong Kong martial arts movies use a lot of wide and long, unbroken shots. You can really see the performers performing these physical acts of skill and beauty -- you see their entire bodies, it's almost like watching performers on a stage. Which is of course Chan's background.
In contrast, Western directors typically use a lot of fast, tight, jerky, almost seizure-inducing cuts. A closeup of a fist hitting a face. A closeup of an elbow hitting a knee. A closeup of a face showing somebody's reaction to the pain. Etc. etc etc. There's much less continuity. 98% of the scenes are probably shot by stunt/body doubles. It doesn't take a lot of talent for an actor to pull off a scene like that, at least not compared to the traditional HK style where the actors have had a lifetime of martial arts training.
Of course, those are vast generalizations. You can name plenty of counterexamples from both schools!
Perhaps one of the most best(worst) examples of hollywoods "type" of fight scene - yes this is from netflix but more in reference to any semi-large scale film production in the west.
WRT your comments regarding framing/cutting techniques, the episode of “Every Frame a Painting” mentioned elsewhere in this discussion goes into this in depth and really demonstrates how it makes a big difference in the type of action that Jackie excels at. Highly recommended if you haven’t watched it before (along with the rest of the videos in the series).
You need to start referencing his movies that weren't made in hollywood, he has expressively mentioned why they aren't good at all. Yes he broke into the industry but he saw that they care more about money than making an film of art which leeches into the quality of the film itself.