| In terms of martial arts action those movies are pale shadows of his earlier Hong Kong work. Partially because Chan is older in those movies and is a little less physically capable. But IMO mostly because of Hollywood's unfortunate style of directing fights and martial arts battles. Traditional Hong Kong martial arts movies use a lot of wide and long, unbroken shots. You can really see the performers performing these physical acts of skill and beauty -- you see their entire bodies, it's almost like watching performers on a stage. Which is of course Chan's background. In contrast, Western directors typically use a lot of fast, tight, jerky, almost seizure-inducing cuts. A closeup of a fist hitting a face. A closeup of an elbow hitting a knee. A closeup of a face showing somebody's reaction to the pain. Etc. etc etc. There's much less continuity. 98% of the scenes are probably shot by stunt/body doubles. It doesn't take a lot of talent for an actor to pull off a scene like that, at least not compared to the traditional HK style where the actors have had a lifetime of martial arts training. Of course, those are vast generalizations. You can name plenty of counterexamples from both schools! |
Perhaps one of the most best(worst) examples of hollywoods "type" of fight scene - yes this is from netflix but more in reference to any semi-large scale film production in the west.