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It's not our fault that society can't bear to look at itself in a mirror. Postmodernism broadly consists of only two tools. The first, as you mentioned, is the deconstructive POV, the ability to look at an object as-is and to understand its origin, its design, its footguns, its flawed narrative, its social excuses, its secret hatreds. But there's more. We also get the curse of relativity, the understanding that all epistemic sources are relative and that we ultimately choose to believe what we believe. This was definitely frustrating, coming on the heels of modernism, and that's why postmodernism has its name: modernism is clearly wrong and serves only to mislead and enslave via narrative control. But in return, we get something good: Concepts can become relativized too, and so we get many simple metaphysical statements as ways to understand what things are. What is a proof? Well, it's whatever convinces you that something is true. We lose absolute proof, but each of us gain a deeper understanding of what it means to prove something to somebody. What is art? Well, it's an expression in some medium. We lose art galleries, but now we can be artistic just by expressing ourselves any time we find new media, such as video games or graffiti or atomic layer deposition or selfies. We get another good thing: A more precise understanding of how the various pieces of knowledge fit together. By talking of theories and evidence and logic as objects in their own rights, rather than as absolute facets of the universe, we can connect the various sciences and reunify the entire philosophical endeavor under a single umbrella, just like Quine always wanted with his semantic web of science. Maths is logic is metaphysics. [0] Edit: Formatting, examples. [0] https://philpapers.org/archive/ALVLIM-3.pdf |