| "Subcultures were the main creative cultural force from roughly 1975 to 2000, when they stopped working. Why?" His chart [1] indicates where the 1975 date came from. He distinguishes between 1960s "counterculture" and later "subcultures". That's somewhat artificial. The 1920s also had subcultures - the Jazz Age, flappers, etc. Prior to the 1920s, there wasn't enough mass disposable income for such frippery. The 1930s (depression) and 1940s (WWII) sucked so bad that there was no counterculture, subculture, or, indeed, much culture. The more interesting question is "why did it stop"? Music stopped being an agent of rebellion around the time punk died. Now, it's just "content". When it became easy to distribute music, everybody started doing it. At peak, there were several million bands on Myspace. Subcultures became more fragmented and tinier. Once one could find kindred souls with similar narrow interests on line, the need to change to fit in was much reduced. What the author calls "fluidity" is the endgame of that - subcultures have no lasting power in a world of tweets and Instagram. Were any of these a creative force? Outside of music, the main legacy of the hippie movement is that everyone wears jeans. The values didn't stick. Much of the 1960s counterculture was just self-indulgence dressed up with pop philosophy. That's why hippies transitioned so smoothly to yuppies. The legacy of punk is industrial interior design, for which the endgame turned out to be open plan offices with exposed brick walls and ceilings with visible pipes and conduit. [1] http://meaningness.com/modes-chart |
Well - that and the environmental movement, including sustainable utilities. And some parts of feminism. And recycling. And organic food. And possibly Apple and even Google, if you don't think about it too hard.
>The legacy of punk is industrial interior design
I'm having a hard time getting from spitting in the mosh pit to Herman Miller cubicle dividers. Open plan offices have been around since at least Victorian times. The exposed piping aesthetic is more the fault of Richard Rogers and Norman Foster than Johnny Rotten.
>The more interesting question is "why did it stop"?
It didn't. What do you think HN and the current startup frenzy are?
Are VCs geeks, fans, MOPS or sociopaths?