| hah great for Pitchfork... i'm sure they are making much more than the artists off this deal. regardless, they don't cover the bands i like and half the music i like isnt on spotify so i just do it the old-fashioned way using discogs.com, downloads, and some good sites that have "related artist" webs. wouldn't you know it, the best site i know for related artist webs isn't a major industry service, its a torrent site! & they accomplish it trivially through user-edits... so i guess my point is i think its true that Spotify can be convenient for some people, but it doesnt refute my point that they are not trying to do anyone favors (unless it fits their current branding strategy). Spotify is not some techno-anarchistic's grand vision of the music industry. it's not helping music fans discover more about their tastes, it is generally colluding with industry to guide listeners toward their profit sectors. I wouldn't be at all surprised if there is a complex sequence of kickbacks between labels, Spotify, and the venues themselves, designed to minimize artist royalty/payouts. If you follow the music industry you know the deals for artists are generally pretty bad & I don't really believe in the "but I go see them live!" rationale because some artists don't tour or aren't big arena acts. AFAIK it's really hard to recoup tour costs unless you are playing decent-sized venues at every stop. i guess it is just hard for me to get into the feelgood mentality of the music scene when i feel like the technology available could allow us to be much more taste/trend/industry-agnostic but instead seems to just be an extension of industry power (Pitchfork being a major industry player as well...), and I generally feel like the quality of the artistic output is in decline so I don't want to buy into most of the over-produced crypto-pop junk they are selling (fans of 60s/70s/even 80s music are accustomed to a much greater wealth of musical diversity). As I mentioned though, I am not into music journalism i just use artist webs. Maybe if there were some tastemaker I really wanted to follow I would see this as more convenient but I just don't experience music that way. Or at most I'd be like "well, convenient for me, sucks for the artist". I think I mentioned in my previous comment -- it's not that I can even prove the pricing model false, I just know it doesn't do shit for the artists... 1 sale of a self-published physical album is more profitable for most of them then a year's worth of Spotify listens. i bet a solely torrents + physical sales model would actually be MORE profitable than involving Spotify... Spotify to me is really only a mechanism for absolving people from the guilt of theft, and conveniently it funnels money back to yet another corp. |