| Similarly, to argue that the Internet is anything other than the most effective device for the production of the same humanistic, intellectual material that Wieseltier bemoans the loss of is to demonstrate an utter unfamiliarity with the internet and how it works. Well I'm very familiar with how the Internet works and I wholeheartedly disagree with this statement so, to use a "logical fallacy" against you, I believe you're making an "argument to authority". BTW, logical fallacies are a rhetorical device that attempt to deny the subjective experience in it's entirety by presuming that all interactions can be reduced to a set of objective axioms. I'm only mentioning this because you leaped to the old "strawman" device in your second sentence, and that you seem to have the generally pleasant demeanor of an esteemed Student of Lesswrong, and that this style of argument and the worldview that it presupposes are being directly addressed by the author of the article. Can you explain how the Internet is so effective at producing "humanistic, intellectual material"? From my perspective knowing a number of writers, musicians and artists, it seems that professional industries are suffering big time. The network of agents, managers, publicists, production and support staff have steadily been disappearing because the revenue streams that supported them are drying up. This means that artists are having to take up all this slack instead of just focusing on their work. Obviously the work suffers. I'm sure that there will be a solution but in the meantime things are pretty shit. It takes big and complex systems quite some time to reorganize. Get ready for an argument to authority here: Maybe you're so ignorant to humanistic and intellectual pursuits that you can't see what is going on? |