| You have just described the poster boy for self publishing. As long as he prices his books over $2.99, Amazon will give him 70% of the price, so if he sells 30,000 books at $4.99 (approximately what novel length fiction sells for if it's not from a major publisher) he would make about 100k. Let me just say, I think there are very few authors who can expect sales anywhere near those numbers. NYTimes bestsellers do a fraction of that. Still, a busy author can easily write 2 to 3 books a year, more if the are organized, determined, and disciplined. Some authors that I know of are putting out a novel a month. So, he can make a living. And he is MUCH better off without an old fashioned publisher. As far as services needed, there is a burgeoning industry of freelance editors, cover designers, book designers, etc., that will provide everything a traditional publisher used to provide. OK, yes, except for a marketing budget, but talk to mid-list authors and see what publishers provided to them for marketing. HINT: nada. How do I know? Without giving away all my secrets, I'm making way more money than I ever thought possible publishing fiction on Amazon KDP. I'm about to jump into non-fiction, which I'm guessing could be even bigger... |
That's not a coincidence. This is a contrived example after all. What I'm trying to get at is that assuming the perfect scenario, is the ecosystem of services there to cater to these guys. Is it feasible that such an author would be able to handle online marketing (getting them into online stores, not getting interviews on morning radio) of physical and ebooks. Would he be able to handle the production of actual printed books?
Also, on the "art" side. Are editor-for-hire types doing the same thing as editors working for publishing houses? Is the relationship the same?I love books. I had a lot of hopes for ebooks in terms of what they'll do for authors. Apart from a pleasant enough reader experience, I haven't felt any earth shattering changes from ebooks.