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by TheOtherHobbes
4256 days ago
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>Where is the counterpoint? Where are the modulations? In the sound design, the rhythms, and the production, where they never trouble the hearing of anyone who has been trained to believe that musical structures are defined almost entirely by pitch patterns. Even the idea that music exists to 'express rhetorical ideas' is... actually quite odd, outside of classical training, anyway. I happen to like fugues very, very much. (The fugue in BWV 542 is a favourite - http://www.youtube.com/watch?v=g6Kul3JzKI0.) But the idea that music should aim for that always? Uh, nope. |
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