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> what matters in this matter is how the people feel about their letters today Sure. It's a political decision. alieteraz even states that the reason he feels strongly about font choice is politics, and observes that current Pakistanis (overall) want to Arabize more than they already have. But for some reason, the article's arguments amount to "naskh is ugly", which is completely irrelevant to the dispute. (There's also a weird idea that nastaliq presents such insurmountable technical challenges that even if Pakistanis strongly preferred it, for example if naskh was viewed as an affront to Pakistani culture, there would still be no reliable way to type in it. And also that various organizations, from Pakistani governmental departments to Microsoft, have already implemented nastaliq fonts.) This reminds me quite strongly of Megan McArdle's observation that when an election is actually about gentrification, the attack ads focus on ineffable concepts like "respect", because it's not felt to be workable to say "we want the whites to stop moving in, and in fact we also want the ones who are already here to get out". If you want to fight for Pakistani separation from the Arab cultural sphere, say so, and point out the problems with Arab cultural affiliation. If alieteraz is a true weirdo and Pakistan's choice of font matters more to him than its cultural orientation, he still needs to make the argument for separating from the Arab world, because, as he points out himself, what's actually happening is that the people of Pakistan want to Arabize further. |
Hey Ali,
I loved your essay on The Death of Urdu Script. Nastaliq was the default script when reading Urdu books in schools. Therefore, I am so used to reading Urdu in Nastaliq that I cannot read properly in Naskh. And because I am a tech entreprenuer who works online, I am forced to read Urdu in Naskh. Therefore, over years I have lost interest in the Urdu language.
If Nastaliq is revived and becomes a common script online, I will be sure to read Urdu more.