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>See, I'm not interested in what Flash could do. I'm interested in what Ableton, Garageband, etc can do. If you're coming from the angle of an Ableton user waving that kind of attitude around, why on earth would you even bring up Garageband, the novelty of which was solely in that it was baked into the operating system. It otherwise was far behind the capabilities of any number of DAWs you, I, or any number of folks here could list. If you want envelope-pushing audio generation and processing, obviously that's not going to happen in a contemporary web browser. However, reducing developmental roadbloacks so that curious people can more easily dip their toes into the realm of audio DSP is always a wonderful development. My own personal path went from Screamtracker (free) to Impulse Tracker (free) to Rebirth (affordable) to hardware synthesizers to drums, guitars, amplifiers, modifying analog drum machines, microphones... If it weren't for the taste that I got from an inexpensive gateway (Screamtracker) I wouldn't have plonked down for a cutting-edge Dave Smith Instruments Tempest a couple of years ago. Learning how to do things like flanging, chorus, and delays in the limited environment of mid-90s tracker software helped lay a foundation of understanding for the tools I came to use in the future. I do not still use Screamtracker when I'm recording music, but I continue to build upon what I learned because of Screamtracker. If you're not impressed by this development because you want to push envelopes, please go back to the music you're making in Ableton and Garageband, which I'm sure is incredible. |
Sandboxes are cute, but they are a shitty choice to build the platform of the future on.
I just don't understand why people ignore this elephant in the room.