[tbirdz]

The article doesn't quite give the film justice. While there are certainly some "behind the scenes" like material, the documentary is more than just a "How to paint like Vermeer" type instructional video. It delves more into Tim's obsession with completing the project, showcasing both the "1% inspiration" and especially the "99% perspiration" moments. There is also some great subtext, it's a story of a man whose daughter goes off to college, and then he takes on this big project to fill the hole in his life (which also helps bring him closer to her, as she models the girl in the painting when she comes home for break). There is also an interesting scene at the end where Tim hangs his Vermeer on his mantle. Proud at his accomplishment, and yet it feels hollow, as Tim has not gained the artistic skill of Vermeer, he's only acted as a very, very slow human camera, taking many months to capture what a modern camera (even those used to film the documentary) could capture in seconds. I haven't seen Cove, and I don't know if this elevates Tim's Vermeer to your standards of art, but there's more to it than "an episode of This Old House".

I don't know if it will have broad appeal, but it only had a limited theatrical release, and I think it will be suited better to DVD and VOD like Netflix.

As far as vanity goes, I mean it certainly seems like Tim painted the Vermeer more to scratch his own curiosity than to make a big profit. Making the documentary might also have been a way to help him give himself incentive to finish the project, indeed in one part of the film he says "If the cameras weren't filming right now, I would just give up."

[brianmcdonough]

Thanks for the information. Sounds like they took the personal journey approach and it also sounds like you enjoyed it, which would indicate that they did a good job, including the ending. I'll look forward to watching when I get a chance, but thanks for filling in the blanks. I'm willing to say, I stand corrected.