[talmand]

Ah, ok, I see what you mean by not claiming I'm dense but just what I'm saying. My bad.

Also, again my bad, I'm attributing the whole discussion onto you instead of specifically your statement. I tend to lump everything together when multiple people respond throughout a single thread as though they are in agreement with the thread as a whole. I'll have to work on that.

I fully recognize the opposing position in this debate, I understand the thought behind it, I use to agree with it. But at this point, exactly as you point out, I highly disagree with it today. For the most part, I see people wanting to alter the definition of ownership for their own benefit to the detriment of the original creator. That the simple idea that a song can be perfectly copied countless times without damaging the original copy is somehow license to demand that the original creator hand over all their ownership rights without compensation is just wrong. It is as simple as the "black and white" example of stealing bread or any other physical object. I would give more credit to discussions about stealing bread because it's possible a human being stole it to survive, no one needs the latest hit song or movie to survive. If time and resources were spent in the creation of the product then I fail to understand why it's wrong for the creator to expect compensation, if they desire it.

Rational basis? What exactly is that in this case? Because I've never seen it. If anyone can give me a rational example of why the "I want it, it's easy to copy, therefore it should be mine" way of thinking is justified, then I'll reconsider my position.

[nbouscal]

I inadvertently focused this discussion too much on the duplicability aspect of the argument, when there are other factors at play as well. For example, if someone purchases a song and then plays it on speakers, and you are nearby and listen to it, I've never heard someone claim that you've stolen the music. Similarly, if you go to a music video on youtube, then listen to it while switching to another tab, you also have not stolen the music. Yet if you download the exact same song from a torrent site, then listen to it, and then delete it, the claim is that you have stolen the music. The dividing line here seems arbitrary and difficult to pin down. In every case, you had the same auditory experience. In the latter two cases, you had the same sequence of bits stored in memory, the same instructions execute on your processor. Yet only in the latter case have you stolen something. So, what is the property? What, exactly, is it that you have stolen? The fact that this isn't completely trivial to answer is my justification for claiming that there are, at the very least, some shades of grey in this issue.