[anigbrowl]

Your target market is musicians. As said above, the iTunes model will work - indeed, so might an iPhone app.

But also, consider making it a VST plugin (VST = virtual studio technology, free SDK from Steinberg) It's the industry standard for non-pro users and works with all music recording/editing platforms on both Mac and PC. These kinds of users have no problem downloading & installing, and are more likely to pay - your pricing is quite reasonable, and moving what you do to VST shouldn't involve much overhead, the DSP will be the same. Make an option to output the chords to MIDI, which should be trivially easy. Better yet, make lite and pro versions - lite version maybe only does major chords or doesn't output MIDI.

3 websites (kvr, sonicstate and createdigitalaudio) will reach 90% of the plugin community. I'm at work so I can't test it out (and gave up using WinAmp long ago anyway) but I wonder how it copes with techno or orchestral music? I like making electronic stuff, but I just don't have a very good ear for chords and would love to have this as an analysis tool. Feel free to email.

[drewcrawford]

I'm a freelance music producer on the side, and I've worked on tons of top albums as well as with random indie people who think they can make it big. Here's a general overview of plugin formats:

RTAS - this is the Microsoft of the industry. Pro Tools is big, ugly, painful, and frustrating, but everybody uses it. Every song ever made gets run through a Pro Tools rig somewhere down the line. The interface and features have basically been frozen for ten years (I believe v8 changed some colors, which apparently enough of a deal to be a marketing selling point), because everyone's learned to use it. Like older MS products, the good people avoid using it when they can (only real innovative feature is Beat Detective), although it's extremely stable. Runs on all platforms; requires custom hardware.

VST - This is fairly well-supported on Windows stacks (Sonar, Audition, Steinberg, FL Studio). Nobody seriously uses Windows for real-time audio (not a fanboy comment; actual market conditions), but kids in their garage and/or that rundown "studio" downtown, or some part-time DJ playing clubs in Chicago make it work. VST is painful to use on OS X and of my two dedicated mac recording rigs none of the software I run actually supports it. Steinberg's DAWs are cross-platform, and I am told people actually use them, but I have the vague perception that it's used more with TV (network jingles and applying post-production to commercials, etc). I do largely recorded music production and occasional movie scoring work, and I've never used a Steinberg DAW. I have used Audition and Sonar on a few projects from indie clients.

AU - This is the new kid on the block. A mac-only standard, powers GarageBand, Logic, and DP. Your younger, hipper bands have all switched to Logic for day-to-day use, which kicks ProTools' sorry behind, although it's less stable. Most of the "cool" big-name bands that I work with (i.e. write their own material, actually play things live, actually competent musicians, etc.) run Logic themselves on some mac portable that they take to band practice (no external hardware). They take it to me for primary mixing (still Logic) and then pawn it off to some sound engineer for final mastering (Pro Tools). All the kids use GarageBand. I've seen DP used both in live settings and in recording studios although it's kinda fringe. AU is a joy to code if you know C quite well.

[anigbrowl]

What you say is all true, but only for stuff that comes from big-name bands or artists with the potential to be one. I do think there is quite a large community of bedroom producers/artists out there that will never get near a record deal or anything more substantial than tiny sales on iTunes or views on YouTube - less good musos who can't easily make out the chords (like myself) and those in the less profitable musical genres (electronic/dance and metal) where there are many, many more amateurs or hopefuls than successful acts. Anyway, I think there's a definite market for this plugin among the bedroom set. AU users (who I forgot abuot because I'm not a mac owner...oops) are more likely to pay money than VSTers, but a friendly Lite version will definitely drive sales of an affordable Pro version.

The Pro Tools folk will have little to no use for this plugin - let's face it, if you're paying for PT, you probably don't need the computer to help you with working out the chords. I think you're being a little unfair to Windows audio though. I used to produce on a full-size Pro Tools HD rig, but at home I've always been a Win/PC guy and don't find it limiting. I think the lean to Mac is just because they were the leader in that space for such a long time.

I was really surprised you didn't mention Ableton Live in your otherwise excellent roundup, though of course that's much more for dance than other DAWs.

[drewcrawford]

Forgot about Live. Supports VST and AU (mac version only).

At any rate, my argument was (although I didn't explicitly lay it out) that he should cover AU for the garageband kids (bulk of the users) and the actual musicians that use Logic at band practice (sizable minority), and maybe catch VSTs on the way out for the Windows folks if it's not too hard (I'm not a VST developer; I can't say). AU is where it's all going though--you've got a generation of people growing up with garageband for recording, producing, even taking piano lessons. I would imagine that would be prime market for a chord detection app. In addition, the GB/Logic family file format is based around chord notation (and is pretty easy to reverse engineer), so you could actually export the chord structure back into the arrangement if you were clever. This has all sorts of interesting implications for chord-aware events like Apple Loops-- mixing would be drag and drop even for the people who don't know one chord from another.

Agree that Pro Tools isn't much use for this sort of thing. I do know a couple of kids who've picked up Pro Tools LE because they think it's what the cool kids use, but it's not worth the effort to capture.

Another obvious direction for this would be an iPhone app that displays the chord it currently hears (and does so accurately). Not sure how good the algorithm is from a bad source, but that would be worth $50 to me.

[kolis]

Thank you for information. We hadn't considered this path.