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by foobarbazqux
4678 days ago
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Laws are programs. It doesn't matter what the programmer who wrote the program wanted the program to do. It matters how the program is used and what it does. I agree that copyright law is terribly implemented (DMCA, DRM, expiration 70 years after death, 3 strikes rules, etc.), but nevertheless, I don't know a single artist (or knowledge worker) that doesn't feel that the Berne Convention provides them at least a minimal protection against outright plagiarism. Even the the most liberal Creative Commons licenses build on top of copyright, even BSD style licenses do. I mean, would you be okay if I took your work, erased your name, and slapped mine in its place? |
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"I mean, would you be okay if I took your work, erased your name, and slapped mine in its place?"
In fact that happens all the time with work-for-hire copyrights. Anyone who works as a programmer for Microsoft, Google, Apple, etc. can expect to receive no credit for their creative work, only a pay check for having done it. Think of all the independent contractors out there who write software for big corporations, get paid, and get neither recognition nor credit for their work.
Take a look at movie and music sharing on the Internet, and what you will see is that plagiarism is almost entirely absent. Nobody is claiming credit for some musician's work when they share that musician's recordings online. That is probably copyright infringement (whether a particular act even constitutes infringement is determined by a courtroom battle), but it is not at all plagiarism.
The history of copyright is important here, because it explains things that otherwise make no sense at all. If copyright is about plagiarism, why is there no requirement that credit be given the actual author / artist / creator of covered works? If copyright is about paying creative workers, why is it that the vast majority of artists need to work a second job? The answer is that copyright is about neither plagiarism nor paying artists; it is and has always been about business and government interests. The reason publishers, recording studios, movie studios, and so forth have become so disproportionately wealthy by comparison with the people whose works they sell is that copyright as a system was designed with industry in mind.
Your original claim was that copyright is the legal embodiment of a widely held moral belief or of some generally held value. I am asserting that this is as untrue in the 21st century as it was in the 17th century. Copyright continues to be a system that is design for and which favors certain industries; artists are a secondary concern, just as they were when the Stationer's company lobbied for the Statute of Anne.
Finally, plagiarism is readily solved with technology; copyright infringement is inherently unsolvable. The solution to plagiarism is watermarking, embedding a hard-to-remove message in images/audio/video/text that identifies the creator (technical details omitted). This was studied in the 80s and 90s and at one time it was believed that there might be a market for such technology, as a way to combat plagiarism on the Internet. In the end, though, it worked out that plagiarism is not so important as long as everyone is being paid; copyright became the important issue online, with plagiarism being a secondary and far less important concern.