| The discussion here reminds me of the longstanding debate over editors like vim/emacs vs (whatever you want to call the other editors). Or semicolons vs indentation, to make a slightly more "reading" oriented comparison. There's obviously a difficult learning curve for many people, but others who are already proficient argue that the rewards of learning standard music notation are worth an extended effort, if that's what it takes. The thing I've noticed most about sheet music as I'm learning it is that it's compressed. It uses different symbols and techniques to say the same thing in a smaller space, and reuses space and symbols more efficiently by applying modifier symbols at the beginning of the staff and elsewhere. It allows notes on lines and spaces instead of just spaces or just lines. Tighter, smaller, more on the page. Changes in pitch can also be indicated by modifier codes next to the notes, sharp and flat, allowing further combinations with only 2 more symbols. So I have to learn to decompress the information at the same time I'm interpreting it. Tricky! I do stop and wonder if this compression algorithm is the right fit for humans. I don't buy the argument that continuity with the volume of existing sheet music is a good reason to never develop an alternative. But any alternative needs to be much better on some metric that outweighs continuity. Otherwise we should just keep hacking the learning process with color coding and mnemonics and whatnot. It's funny, I was talking to a friend about my struggle to learn sheet music and music theory, and he said "It seems hard at first but you'll start to get it pretty soon." And I said "Yeah, it's sort of like math in that way." To which he replied "oh, I don't know about that, I can't do math. I've never been good at it." |