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by SageRaven
4843 days ago
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For shits and giggles, I snagged a vinyl rip of Simon and Garfunkle's "Bridge Over Troubled Water" in 24-bit 96KHz FLAC format online, just to see what all the fuss was about. Some guys who do serious vinyl rips spare no expense, using pristine vinyl on high-end rigs, washing the disk before the first play, etc.. I don't pretend to understand all the jargon. Now I obviously couldn't perform scientifically sound listening tests on my own. But I did do repeated back-to-back plays (of snippets and whole song) comparing the 16-bit 44.1 KHz FLAC rip I performed on my S&G's "Greatest Hits" CD to the 24-bit vinyl rip. And as skeptical as I was, the sound is a little warmer and seems to have more spacial volume (I'm no audiophile, so my terms are probably making people wince) on vinyl than on the CD. I am using a low-end $60 Sony head-set and all audio from my PC competes with background clicks and chirps from my built-in audio jack due to bad poor grounding in the motherboard (I assume). I can think of 3 reasons the vinyl rip sounded better to me: 1) It is, in fact, a better sound; 2) The master used to produce the vinyl source was better than the one used for the CD I have; or 3) It's all in my head. I mostly ruled out #3 because I snagged a few more 24-bit vinyl rips to see if they were any better then my CD sources, but I deleted them due to poor sound. That all said, regardless of the technical details, I am quite fond of my new 24-bit 96KHz copy of "The Boxer". This song is amazing in its musical layering and depth, and the ever-so-slight improvements I personally hear from the new rip was well worth the bother. |
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