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by gabriel666smith 2 hours ago
I can understand being interested in it from a Modernist perspective.

It's both a new technology that maps a geometry to existing language - which is very interesting from several literary theory POVs - and represents a new kind of typewriter. If you're interested in innovative techniques in fiction, I think LLMs are arguably deeply interesting. Mass-producing slop, however, is probably quite limited in terms of its theoretical interest, and in how it changes the craft.

Personally, an example of how I use gen AI when writing is that I sometimes use a little text editor I wrote. It polls a local model, and grabs the 50 most-likely next token(s), rounded to one word, based on where the cursor is.

"Voice" in fiction was already about how the author chooses to deviate from the expected-next-word. So - while you could just use the tokens returned - I find myself using them much more often to choose what words to avoid using, or how to deviate from the expected outputs, and where it might be most interesting to do that.

I think there's plenty of interesting things that can be done with gen AI in terms of fiction writing, but I think we're quite a long way from working all of them out yet. Wholesale slop generation is one of the most obvious - and most boring - things writers can do with an LLM.