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by GreenPencil7
3 days ago
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Yes, that's a good point. Schematics, manufacturing, and patterns are powerless if the original materials disappear or change. I haven't researched this yet, but I assume that the same variety of apples, cotton, paint pigment, or grapes will be different if it is grown in different countries. Even though it's the same variety. And that's a problem. I have a hypothesis that it's possible to make the paint independent of the supplier, so that it is the same paint every time, after 1, 5, and 20 years. We can standardize not the raw material, but the result. Using paint as an example, it's possible to create a digital color passport, and then comparing the standard with the incoming raw materials will allow us to identify the difference and compensate for it. This would make it possible to achieve a color that does not depend on the place of production or on time. I don't know if this will work in practice. I think this kind of engineering solution could bring us closer to the idea of unchanging clothing. What do you think? |
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Anyway, thinking of these ~fringe examples helps clarify my thinking on the matter: it sounds like we're basically targeting three different things:
1) The thing(s) you want. What is the finished product you're gunning after.
2) The raw materials that go into the thing(s) you want. What is the entire process ,, with , from an engineering perspective ,, all its "inputs" at different moments of the flow.
3) The actionable thing: Making a universal index of products that once were, so we can track what they are made of, and what their creation-cycle is from raw materials to assembly/assemblage. Additionally, here we can also track where you can still buy/procure/obtain them if versions/copies/prints exist today.
But realistically my friend, you are better off just buying ten or twenty pairs of your favorite shoes when they exist, because the rotating crushing automaton of production-reality that underpins all of consumerism is constantly consuming itself. How many times have I purchased a one-time-print of a hoodie or piece of merchandise that is no longer available, nor will it ever be available again? I won't go so far as to wax poetical and say that rarity is what makes things valuable, because it's not, however tightly coupled those traits might be; but cool things being one-offs and highly scenario-bound for obtaining them is actually useful information about how the universe works. Reproducibility and the urge for regularity is a logos-construct [logical, rational, reasoning intelligence] while dwelling in the felt-sense of the realm and leaning into intuition is an eros-abiding [intuition, connection, relation, significance].
So while I understand the urge for the clothing you like to never end or be discontinued, I think a more useful approach is not how do we keep the cool versions existing forever, but how do we keep more fresh, new cool versions coming unabatedly. Sources get exhausted in multiple senses of the term, I think we need to think more metaphysically about how to replenish sources on every level of the meaning of the word source.