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by constantius 1 day ago
This is an edge case. The vast majority of intellectual output loses value extremely fast. If a new Kafka comes along and their writing becomes popular 30 years after publication, they will have 0 issues getting a fat contract for a new book.

Justifications for copyright are always built on edge cases, seemingly moral justifications of an empirically immoral practice. Yes, it'd be nice if a single handicapped mother of 2 coild see her children rise out of poverty thanks to her writing talent after 50 years. In practice, this person doesn't exist and building society around that scenario is not a good thing.

These 'what ifs' have the same value and do the same damage as 'who will think of the children' do for human rights.

1 comments

> seemingly moral justifications of an empirically immoral practice

How is it empirically immoral? Historically it was one of the best things to have have happened to creative professional in history. Before it writer could make a living by publishing books unless he was independently wealth or had wealthy patrons to support him.

> Justifications for copyright are always built on edge cases

No they are based on the assumption that humans are generally rational and more likely to create content if they can make money by doing that.

> The vast majority of intellectual output loses value extremely fast.

Well that's great.. but then it means that your argument is mostly pointless since if that content has no value why are you bothered by the author retaining the ownership of it. Who would benefit from it entering public domain?

You're strawmanning, or having difficulty reading.

Whatever my personal opinions about copyright, this whole thread is about copyright set at 2000 years vs 20, so that answers your first 2 points.

For the last one, 'losing value' obviously doesn't mean they can be safely binned, but that the publisher has no return on keeping it in publication. Again, this is what the entire thread is about.