[JohnFen]

> A good DJ kept you from just turning the radio off when you heard that same hit the fourth time today -- you wanted to keep listening because the DJ made it fun.

I'm old enough to remember when radio was king, but if that's what a good DJ does, then I suppose I've never heard a good DJ. Personally, I preferred the DJ who talked as little as possible and had good taste and variety in the music they chose to play.

But yes, we are poorer for their passing. They've been gone for a very long time, but I've still yet to see anything that can adequately replace them.

[mobilene]

In commercial radio, DJs haven't selected the music in 40 or more years. I used to show up for my shifts to find a printed playlist from a software product called Selector. I had to follow it.

[ryandrake]

Also, most commercial radio DJs would talk and talk and talk all the way up to the point in the song where lyrics started, and then right after the last lyric, they'd start yacking again. A lot of music that was on the radio in the 70s, 80s and 90s had great instrumental intros and outros that you just totally missed because some garbage DJ had to get in one last "TODAY'S HITS, YESTERDAY'S LEGENDS, ONLY ON IDIOT ROCK 95.1!!!"

[scioto]

Back in the later 70s a Chicago three-letter AM radio station used to speed up songs so they could stuff in more commercials. And the DJ would do the parent’s talking when there’s no lyrics, even to the point of talking through the entire Love Unlimited Orchestra’s Love’s Theme instrumental.

[ryandrake]

I never understood the business reason for doing this. Do they really think listeners will switch away if they go 500 milliseconds without hearing a human voice?

[Modified3019]

It’s the opposite, they do it to fit in more commercials, because apparently people don’t switch away when they talk over songs.

[mark-r]

I believe talking through the intro was an actual skill that was taught to DJs, and the closer they could cut it the prouder they'd be. I've always hated it, and there have been occasions when I've switched stations because I couldn't take it anymore.

[mark-r]

There's a local station that advertises the fact that they don't do requests. I'm sure the reason they don't is because they can't - the playlist was mapped out long ago and there will be no deviations. The main DJ voice is some guy reportedly from Vancouver who records the voiceovers for this station and probably 40 others just like it. What he lacks in spontaneity he makes up for in snark.

[PaulHoule]

There was that time I was tripping on acid at 2am and was offended by hearing the same Doobie Brothers song that plays during my drive in and my drive out and called up the college radio station thinking, "I'm either going to talk to the janitor or the program manager", turns out the program manager picks up the phone and I ask him, "Who picks this music out?" and he says "I do" and that it's programmed on the computer. I told him "Come on, you can play anything you want to play" so he put on a Miles Davis disc.

[technothrasher]

Your Miles Davis comment triggered a memory of college radio. In school in the early 90's, I had a 3-6am show Wednesday mornings, and mostly said and played whatever I wanted, as nobody was really listening anyway. One week, the guy who did the Friday night 6-8pm slot called me and asked if I could sub for him. I was way down on the call list, but nobody wanted to sub on a Friday night. So I took his slot and did my normal show. I immediately got a bunch of complaint calls that I was crap (which was fair, I was), and one guy who kept calling in over and over demanding I play Miles Davis.

On the other side of the coin, I also had a 10am Saturday news slot, which was just a quick 10 minute read of my pick of the top stories off the AP feed. I was on the city bus discussing the slot with my buddy who did the sports right after me, and the bus driver overheard us and said he listened to the station on his bus route, and loved us on Saturday mornings more than the other news readers. He was my only known fan in my very short lived radio "career".

[win311fwg]

One time I tuned into college radio and not long after came on a song from my own band. The only recording of our music was from a jam session that we put on CD that we handed out to a few friends and we hadn't played together in many years by that point so it was quite a shock to hear it.

[tarentel]

I did college radio for a bit. You could play whatever you wanted up to a certain extent. At least where I was at, ~'06, you could play like 30? minutes of whatever you wanted, it's been a while might be more or less. The other x minutes of your hour you had to play a selection of music. It was a very wide range of things so you could easily find something to fit into your show but it had to be from the pool that college got.

Maybe other colleges did it differently but we didn't have a program manager or anything. Everyone was free to do what they wanted outside of some FCC rules and what I previously mentioned.

[JohnFen]

> In commercial radio, DJs haven't selected the music in 40 or more years.

Yes, I'm painfully aware. That was what got me to stop listening to music radio.

[customguy]

Once upon a time in Southern Germany, there was the one and only C-Team...

https://www.youtube.com/watch?v=_GRBn7Vn2U0&t=775s

Obviously it loses a lot if you don't speak German, but they were very funny and silly and interacted with their fans a lot, to say the least.

[TitaRusell]

I don't know how it worked in Germany but in the Netherlands the government had a monopoly on broadcasting. Their public radio stations did not play rock and roll and was not in tune with "youth culture".

[customguy]

Rock'n'roll yes. Youth culture seems harder for me to say anything about, because that can mean a wide range, attitude towards drugs etc. But popular music young people dance to, for sure. You remember Neue Deutsche Welle, right?

Dunno if they were "in tune" though, maybe I'm too literal, because in my mind, anything, even the coolest stuff, that was made by adults and/or legal was not the stuff. Actual youth culture can only happen among the youth, if you know what I mean, so there's at least always this lag.

[LargoLasskhyfv]

We had SWF3 with Anke Engelke. WDR with specials(Electronic mostly). BFBS(British Forces Broadcasting Services).

In and around Bonn, in the 80ies. Guess there have been more, but they were out of reception range.