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by f1ay 14 days ago
I went on the tour of this home / studio early this year.

The tourguide didn't mince words, and came at FLW pretty hard for scams and philandering. My understanding is that FLW was kind of a grifter. Outside of being famous for just not paying his employees and designers, he was working on the side to put up houses that were explicitly against his contract after being paid huge cash advances by his friend / employer. He also famously hoarded his designers' and sculptors' ideas and claimed them for himself.

There's some fascinating ideas at play in his houses, and the fact that he designed the furniture for the rooms they would go in is fascinating, even though I didn't care much for his style. The concept of 'compression and expansion' came through well, when you'd walk through a somewhat narrow offset corridor before entering a grand room. It definitely had an impact.

That house was basically a prototype for a bunch of random ideas he had, including a stage for his children and his wife's students to perform plays (she was a youth teacher) complete with a giant mural of a djinn iirc was inspired by one thousand and one nights.

It felt like a psychedelic church.

2 comments

It's unfortunate they didn't include more photos in the AD article and doesn't really do it justice, even though a lot of his design aesthetic wasn't for me.

Specifically there was an octagonal drafting room without central supports, using chains linked across the room and held together by a giant hub to hold it together from the sides. Truly a wild piece of engineering I've never observed in any home elsewhere.

I tried photographing it, which was essentially impossible but here's the best version I could find. https://www.instagram.com/p/DOZxFBoEdMb/

Since the home was also a studio, he would take people on a bit of a wild tour through his home before leading them to my favorite room on the tour -- and also octagonal 'deal room', which is the room most representative of all of his ideas within that house, with hidden drawers, and drafting boards hidden everywhere. https://martinhouse.org/wp-content/uploads/2025/05/flw_studi...

I also took the tour this year and I came away with the impression that he would have fit right in with today's "genius" entrepreneurs and CEOs for all the reasons you stated. He certainly had great ideas and was an excellent designer, but he was belligerent and bull headed and owes a lot of his success to luck and the people who surrounded him.
That's a bit of a silly comparison, in my opinion. FLW was an incredibly deep and original thinker. You can't say the same for today's "genius" entrepreneurs. FLW also experimented and created many new ways of designing and building. He couldn't possibly have been stealing that many unique ideas over basically his 70 year career.
"He couldn't possibly have been stealing that many unique ideas over basically his 70 year career."

I'm not sure how you could possibly make that assertion?

What is the counter claim? That he stole many different original genre defining styles and techniques from many different architects over a period of 70 years with not one well corroborated claim?

The fact that no such claims exist is how I made my assertion. Look at his body of work and study it. He reinvented his primary style multiple times but yet kept his core style. A claim that he was a grifter needs a lot of evidence for one of the most colossal intellects of our time. It's like saying Einstein was a grifter.