| The first paragraph screamed AI to me. I'll try to dissect each bit, see below. It's hard to put it into words... --- Send an e-mail + pick up the phone. Mismatched analog. First one is outgoing, second is incoming. Yes, I know you can pick up "to make a call". In which case, then we have the classic LLM pattern of eliding details that matter to make it sound "smooth" (like blended cardboard smooth, glug glug). someone senior enough - Way too vague. Most people would add details here that are unique to the actual human being that they spoke with. But Claude can't do that, so we get this. a hard question - Same thing as the previous one. Which question? Why is there literally no detail or actual flavor here? - Real - Claude looooves punchy, empty emphasis words like this. ... , the kind you ... - Tacked on extra phrase that should be a separate sentence. Claude does this all the time. We aren't writing a shitting noir novel, Claude. -a decision go sideways in a boardroom - vague shadow of an anecdote, of just the right length. The "a" in front of "boardroom" is a blinking red light for me, can't fully explain why. Not what the textbook says. - Too short, too vague, with the rhythmic punchy feel. (Damn... I've been infected with the triplet pattern myself). textbook, 5 studies, 30 years of experience - Pattern of 3... - that a search engine couldn't - Oh man... this type of phrasing is so triggering for me, heh. I've been busting my ass trying to sanitize Claude's output so it haven't doesn't these overly cute, inverted constructions. |
I often leave out details and specifics or make things purposely vague because I am writing about real people.