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As of now, you can tell the difference for most AI generated music. There's some where you cannot. There is no Turing Test for taste, and the specific constellation of features that represent your particular interpretation of what things like human, best, goodness, excellence, beauty, and any other label you might apply to abstract qualities will be reproduced at a sufficiently high resolution that you will no longer be able to meaningfully discern between human and AI creations. In a blind test, you will prefer the AI product, and your own perceptions and biases will convince you that the AI generation is actually human, because whatever ineffable abstractions you attribute to "human" quality will be replicated, refined, and exploited. The very act of recognizing some difference is the tool with which the next generation of outputs is refined, until it's so "good" for any and all particular instances of "good" that human perception is insufficient to differentiate the source. At some point we're going to have to admit that the distinction based on source is a problem, and perhaps there's a lot of nuance in the context of any particular piece of media such that an arbitrary dismissal of a song, or image, or piece of writing, for the mere reason that AI was used to produce it in whole or in part is missing the point. If you enjoy a song, your enjoyment is real. If you appreciate beauty, your perception of beauty is real. If you feel deeply about a written text, your feelings are real. How you perceive things, while not entirely conscious, does involve elements of choice. Make the choice to judge things on meaningful merit, and if the next generation of musicians and artists use AI tools to explore new territory, don't dismiss their art and passion and creations out of hand. An electric guitar is artificial. People used to make the same sorts of "that's not music" statements people are making now about music and art. Imagine being so twisted up over some arbitrary distinction that you miss out on Jimi Hendrix or BB King, or Joe Satriani, or any of the brilliant musicians that have wrung beauty and soul from "artificial" electronic signals. |
I see the same thing in music. I accidentally clicked on a couple of AI albums in YouTube. On a minute-by-minute basis they aren't necessarily bad. But if you keep listening, even though the stream is nominally an hour long, it's the same couple of minutes over and over again, more or less.
In the case of music I could see a coder preferring that for their background noise, but for direct listening for its own sake, once the initial impression wears off there isn't anything left.
I'm not necessarily saying this from an anti-AI position, either. This is just the current reality of the situation. At the moment, AI art has a very flattening effect.
What's more, I spent some time at Suno and tried to get it off the beaten track. I was able to get it to create broken music with chopped up words and instruments that were confused about what they were by trying to make an excessively-interesting combination of genres. It broke before I could get anything really interesting going on musically. Possibly if someone spent a lot of time with the higher-touch music tracking tools they could get something interesting happening but I had enough of the same problems there that I bailed. Even if you try to inject your own inspiration, the AI has a very strong flattening effect.
Text I think you could probably do better with. I have not tried to write fiction but I've done a lot of non-fiction writing with it at work. But no matter how I prompt it, it is always flabby. I can style-shift it away from Default LLM Voice, and it's at least somewhat more concise than that, but I can't get it to be truly concise.