I surely can be, but I don’t see it so far. How the latter suggests the former? The demand doesn’t have to scale infinitely - I don’t believe the demand is or was anywhere near saturation.
Tons of music that nobody listened to is certainly nothing new. Predates “AI”, and even Internet for sure. What would be indicative are shifts in distribution of listeners outside of extremities (excluding top hits and low audience both), but I’m struggling to formulate a good criteria to watch out for (and then we probably don’t have the data). If not a distribution, maybe a dynamic of total listening hours over time adjusted for income and inflation fluctuations may suggest if there was ceiling or not.
There’s something to the series induced boredom, though. Increase in quantity paired with a feeling there’s not much to actually watch is something I can relate to. I’m not sure how to tell oversaturation fatigue from actual lack of interesting (at specific moments) media. Thanks, that’s something to think about.