[jgord]

Their VanDyke Brown looks more like a Burnt Sienna to my eyes, but that might just be my screen.

You may also enjoy the Chromatopia book : https://www.goodreads.com/book/show/40554590-chromatopia

The author produces a very nice range of oil colors under the Langridge brand in Melbourne, downunder... its nice to keep these artisanal practices alive.

Would be handy to have the standard pigment codes. Ive been gradually moving away from using heavy metals such as Cadmiums. Haven't found the perfect red, although Napthol Red PR170 and Pyrrole "Ferrari" Red PR254 are pretty close to primary for mixing from a limited palette.

Its really surprising how you can get gorgeous brick-red browns and deep purplish blacks from mixing a near primary red and primary blue.

[jabl]

Here in Northern Europe there seems to be something of a renaissance of traditional linseed oil paints, both because of people being more environmentally conscious and wanting to avoid VOC's and microplastics, but also because there's plenty of scare stories of people rotting their houses after painting them with more modern but less breathable paints like the usual alkyds or acrylics.

Not saying it's not possible to be successful with the modern paints, but they demand a different style of construction that allows air to flow on the backside of the facade.

[purifyingFlame]

This is the kind of note I was hoping for. Standard pigment codes (PR170, PR254 etc) are a good call and I wanted a proper Color Index field and this pushes it up the list. I will also take another look at the Van Dyke Brown swatch. You may be right that it reads too close to burnt sienna. Chromatopia looks like a lovely book and thanks for the Langridge pointer, glad those artisanal makers are still going.