Yes, the same is absolutely true for many other professions. And artists are probably more aware than most, at least on average, how much luck plays a role.
But note that I have been very careful not to call the fund managers individually immoral.
Of course that is a feature, but at this point I have to suspect that you're willfully ignoring the point.
The moral problems begin when writing that book gives you extraordinary power beyond what is healthy for society (which is extremely rare for authors, of course; the discussion isn't really about authors, you just invoked them in an attempt to conjure a moral shield for the people who are the real problem).
And again, even that in itself is still not a moral failing of the individual. It's primarily a failure of the system in which the individual operates.
It does become a moral failing of the individual if the individual uses that power to perpetuate the system.
Please respond to the strongest plausible interpretation of what someone says, not a weaker one that's easier to criticize. Assume good faith. [1]
I was talking specifically about the moral implications of books that can be read without any additional work from the author. This statement is about books, not authors.
> but it's certainly not "work" the same way that digging a ditch
I don't think so. Value comes from utility, not from toil.
It's nice to be nice. The strongest possible interpretation of your comment is that you're simply noting accurately that there is no moral failure in writing a great novel.
I agree, writing great novels is a wonderful thing and a moral positive.
But note that I have been very careful not to call the fund managers individually immoral.