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by YeGoblynQueenne
24 days ago
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>> I would like to clarify if you meant Entombed as in the Left Hand Path era or Entombed as in Wolverine Blues. I believe boogie has a very specific meaning and the LHP era pages crustpunk and hardcore rhythms which to me is precisely one of the main antiboogie elements that metal learned from hardcore. Its a continuous flowing "square" beat that enables the guitar to center stage rather than a swinging beat that needs the drum to make room for guitars like in a lot of rock. Wolverine Blues and even more To Ride, Shoot Straight and Speak The Truth. They've gone back a bit since then I find. >> By prog I meant just classic prog. Oh, right. I actually haven't heard a lot of the. Blue Öyster Cult and Rush etc? I of course acknowledge the immense influence of those bands on Metal, but that's the part of Metal I don't like that much. I think the influence was the focus on guitar technique and general musical quality which is something that's not really there in crusty punk and hardcore bands, I guess it's even anathema to some. You could even argue that a lot of Metal bands play the same music as hardcore bands but take the craft of music-making more seriously. This of course goes against my argument that thrash/death/black aren't descendants of hardcore/punk. >> I am not aware they had any grindcore/deathgrind albums. I haven't listened to their entire discography so I could be wrong. Oh, I see. Wikipedia calls them straight Death Metal. For me and my friends they were always either splatter/gore or grind. Different definitions I guess. |
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https://www.youtube.com/watch?v=LHHHePJtK40
https://www.youtube.com/watch?v=KpL5htneI-c
NWOBHM tried to streamline it of course and they succeeded to an extent but as I theorized before, it took hardcore to actually invent the tools to finally achieve that goal completely and result in chromatic labyrinths. Ie its not hardcore alone, nor prog alone, both had to be part of metal's dna to result in death metal in my view personally.