| Your wife is right. History is repeating itself. And not even for the first time. Horse carriage drivers -> Cars Print media -> Internet Drafting -> CAD Music -> Electronic music, DAWs Film photography -> Digital Traditional film special effects -> CGI Hollywood nepotism -> YouTube / TikTok / Creator economy (there are more millionaire creators now than movie stars) In each of these cases, there was a subset of people that did the previous thing that hated on the people doing the new thing. They had every opportunity to adapt, but chose not to. They thumb their nose at it as everyone else jumps on board. This time around, it isn't just practitioners hating on it. The internet has enabled a bunch of cling-on performative folks that aren't even artists, engineers, etc. that love to dog pile onto the hate. It's really funny because I've shot lots of films over the last few decades. When people criticize my AI films, I ask them what they've made. Not only will a lot of them proudly tell you they've never made anything, they'll then double down. They'll say that if they were to hypothetically make something (which they won't), it would be using the old tools and that I should be ashamed of myself for using AI. Despite the fact that I have years of experience using the tools they're describing to me. I don't even get it. Not even putting in the effort to try, yet telling me that my enormous wealth of experience is wrong and that I'm unethical and my creative output is "worthless". It's some kind of sick comedy. |
They're saying that your contribution is negative. Even if their contribution is zero, zero is still better than negative.