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by xkcd-sucks
52 days ago
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> Think of a violin made by a master craftsman: beautiful, precise, capable of extraordinary performance, but impossible to produce quickly or cheaply. It takes time, rare expertise, and materials that cannot be sourced at scale. You would not equip an entire orchestra with instruments like that. Kinda lost me at the first sentence with this metaphor; you can and do equip an orchestra with instruments of similar caliber to the violins. Woodwinds are expensive. Bigger strings are expensive. Percussion is expensive. Maybe brass is cheap idk but there aren't many of them in an orchestra. In fact the plurality of instruments in most orchestras is violins. |
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Also, saying that instrument X is higher caliber to instrument Y is completely wrong. They all needs immense workmanship to produce, and immense effort to play. This effort can't be compared. A double bassist's finger spread for the first three positions is almost equal to whole keyboard/fretboard of a violin, but a violin can play 8x more notes with a bow when compared to the double bass. Momentum is a strong adversary when you try to change direction with a full size German bow.
You might think woodwinds are easy. A French horn player needs to play adjacent notes with small lip movements. That's an unforgiving blade's edge. A tuba player needs lungs of a whale to keep that long notes, etc. etc.
Also, just because viola, cello and double bass looks like a violin is borderline insult to all of them at once, and ignoring the other heavy lifters like clarinets, oboes and fagots.
Like how the article outlines. An expensive violin is good for a solo performance, but loses its importance in an orchestra. Like how F-35 becomes the wrong thing when the theater of war calls for different conventions and operates with completely different dynamics.
P.S.: Yes, I have played double bass in a symphony orchestra.