[MrOrelliOReilly]

I am a huge fan of Ben Lerner and have a copy of “Transcription” at home, waiting to be read. Autofiction is in many ways _the_ dominant mode of contemporary American literature, particularly among the literati of NYC/London (cf. Ocean Vuong, Tao Lin, Patricia Lockwood, etc., etc.). It can, for this reason, feel overdone and out of touch. But Lerner comes to the topic with such skill and intelligence, he really defines the genre for me, in a positive light.

[ale]

Agreed. Lerner has an unique way of digging into solipsism that's truly genuine and comical (whereas I feel Knausgård and most of the autofiction crowd's stuff comes across as glorified navel-gazing). It's no wonder he's been compared to Foster Wallace in that regard, who also wrote about deeply human struggles yet still is dismissed as a lit-bro pseudointellectual.

[MrOrelliOReilly]

Yeah, good comparison. To Lerner's credit, he is always a poet at heart, which leads to concise, lyrical prose. DFW is voluminous in comparison; when it lands, its great, but it can feel overinflated/overdone when it doesn't.