[hnbad]

Rampant capitalism is kinda genre-defining for Cyberpunk so Cyberpunk without corporations wouldn't really be Cyberpunk. _The Matrix_ only qualifies as Cyberpunk because within the matrix the machines effectively control the capitalist power structures to exert their influence.

Abundance/scarcity isn't really about availability, it's more about access. You can have a cyberpunk story in a "post-scarcity" setting in the sense of availability (due to sci-fi tech) but you can't have it without unequal access to those resources.

[Terr_]

Right: I'm implying that the genre definition itself places an upper-bound on how impactful AI is "allowed" to be, which creates a kind of (heh) no-so-anthropic principle, ex:

A: "Why isn't there more AI in cyberpunk media?"

B: "There's a decent amount already, as characters or tools."

A: "But why didn't those authors address its potential to be even bigger?"

B: "Some did, but that makes stories we don't categorize as cyberpunk."

[noir_lord]

Agreed, which is why The Culture (series) isn't cyberpunk but The Polity (by Neal Asher) kinda skirts the line, in many ways they are similar except resource inequality still exists on a wide/policy scale in the latter.