|
This was clearly a he-tortoise. After all, an author only introduces a female character for some special reason, right? This kind of thing certainly applies to me and music. For some reason, it's hardly noticed when a North American of Hungarian, Polish, or French descent decides to play Irish Traditional music, but someone with Hispanic, African, or Asian descent playing that kind of music is frequently asked questions about how she/he got into Irish Music, or if they're in conservatory or are studying ethnomusicology, as if only "white" people are the default, normal human beings. A lot of this plain ignorance. For example, there's a thriving pan-celtic music scene in South America in countries like Argentina, where many people are playing the music as part of their heritage from celtic regions in northern Spain, like Galicia and Asturias, so there's no reason why the above attitudes should necessarily apply, depending on where in S. America that person is from. Most people have a caricatured view of the world, where the only culture that matters is the majority's, and everyone else's culture is just some kind of distracting "flavor of the month" which only survives out of some sort of jingoism and has no deep artistic value on its own. Let me tell you, this perception has nothing to do with artistic value, and is only an illusion woven by political and economic power. Often the best music is made by people who have neither. |