[alter_igel]

Author here. Great point about the lens-dependent abberation, I mentioned this briefly in my earlier write-up about doing the full spectrum mod [1] but forgot to mention it by name here. I've been trying to get by without spending a lot of money on lenses and have gotten a lot of mileage out of a cheap used 50mm lens that _feels_ like it's just one or two solid glass elements. Fortunately the old camera mount I'm using means all the lenses for it are used, old, and super cheap secondhand. I'm about to try my luck with a 300mm lens. IR should be fun but we'll see if I can squeeze any UV at all through that.

Beautiful shots you have with your own full spectrum camera. Originally I somewhat dismissed the Kolari IR Chrome filter because the suggested combination with a channel swap and custom LUT felt a little too heavily edited for me and I prefer to stay close to the dry camera signal. The shot with the Tiffen Deep Yellow filter is gorgeous, how does that one look on the camera LCD without the channel swap?

[1] https://timstr.website/blog/diyfullspectrummod.html

[lytfyre]

Thanks!

The IR Chrome does not need a channel swap, just setting the white balance in-camera is enough to get a usable image.

The deep yellow looks mostly like a purple and yellow mess straight out of camera. Intent is for the yellow filter to block blue light, and a UV cut filter, leaving the blue channel to have ~almost solely IR, then subtracting that from the other channels to leave you with "clean" Red, Green, and IR as your three channels you can swap around. Probably the least dry camera signal approach of the bunch, unfortunately.