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by _alternator_
101 days ago
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Another thing that’s not been mentioned here: there is a relationship between volume and pitch. In short, you strike a string hard and it goes a bit sharp. The issue is that the tonal math makes a linearization of the string physics, but the highly activated string is effectively a little tighter than the idealized version. |
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James Taylor compensates by tuning everything down a few cents, between -12 at the low E and -3 at the high E, with a little break in the pattern with -4 cents at the G to deal with its weirdness. Good electronic tuners have "sweetened" presets which do something similar.