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by snowwrestler
127 days ago
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You’re making a point mostly about aesthetics. But regardless of aesthetics, to be a working artist, the artist needs to make money. Sounds like you make money partially by teaching and partially by gallery sales. Which are two of the commercially viable paths that are mentioned in this essay. > Then over time, if you get paid for the art, cut down on the part-time job, and repeat. The point of this article is simply that the above will not happen by accident. |
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I think the point about aesthetics is particularly useful to rebut here because it conflates aesthetics with taste. One is a personal preference that's subjective and not always interesting to argue about. But aesthetic evaluation is a rigorous discipline with criteria, history, and shared standards developed over thousands of years. This is what I meant when I say the work wouldn't stand up to scrutiny by my undergrads, because this is what they are doing.
To reframe (again) in HN terms: imagine someone who built a successful SaaS product writing an essay called "How to Be a Scientist" and the core advice is to run your lab like a business, find "hypothesis-market fit," and if your research isn't getting cited, just research something else entirely. A working scientist would find this almost incoherent. The business thinking isn't irrelevant to running a lab, however it confuses commercializing the outputs of a discipline with doing the very point of the discipline itself. When scientists do optimize for citations, and in academia they have to sometimes ("publish or perish"), the scientific community generally regards it as a corruption of the process, not good practice.